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قراءة كتاب The Atlantic Monthly, Volume 14, No. 83, September, 1864 A Magazine of Literature, Art, and Politics

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The Atlantic Monthly, Volume 14, No. 83, September, 1864
A Magazine of Literature, Art, and Politics

The Atlantic Monthly, Volume 14, No. 83, September, 1864 A Magazine of Literature, Art, and Politics

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دار النشر: Project Gutenberg
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THE

ATLANTIC MONTHLY.

A MAGAZINE OF LITERATURE, ART, AND POLITICS.

VOL. XIV.—SEPTEMBER, 1864.—NO. LXXXIII.

Entered according to Act of Congress, in the year 1864, by Ticknor and Fields, in the Clerk's Office of the District Court of the District of Massachusetts.


Transcriber's Note: Minor typos have been corrected and footnotes moved to the end of the article. Table of contents has been generated for the HTML version.


Contents

THE CADMEAN MADNESS.
THE BRIDGE OF CLOUD.
THE ELECTRIC GIRL OF LA PERRIÈRE.
LITERARY LIFE IN PARIS.
THE MASKERS.
CULLET.
WHAT WILL BECOME OF THEM?
FORGOTTEN.
WET-WEATHER WORK.
REGULAR AND VOLUNTEER OFFICERS.
THE TOTAL DEPRAVITY OF INANIMATE THINGS.
WHAT SHALL WE HAVE FOR DINNER?
BEFORE VICKSBURG.
OUR VISIT TO RICHMOND.
REVIEWS AND LITERARY NOTICES.
RECENT AMERICAN PUBLICATIONS


THE CADMEAN MADNESS.

An old English divine fancied that all the world might go mad and nobody know it. The conception suggests a query whether the standard of sanity, as of fashions and prices, be not a purely artificial one, an accident of convention, a law of society, an arbitrary institute, and therefore a possible mistake. A sage and a maniac each thinks the other mad. The decision is a matter of majorities. Should a whole community become insane, it would nevertheless vote itself wise; if the craze of Bedlam were uniform, its inmates could not distinguish it from a Pantheon; and though all human history seemed to the gods only as a continuous series of mediæval processions des sots et des ânes, yet the topsy-turvy intellect of the world would ever worship folly in the name of wisdom. Arts and sciences, ideas and institutions, laws and learning would still abound, transmogrified to suit the reigning madness. And as statistics reveal the late gradual and general increase of insanity, it becomes a provident people to consider what may be the ultimate results, if this increase should happen never to be checked. And if sanity be, indeed, a glory which we might all lose unawares, we may well betake ourselves to very solemn reflection as to whether we are, at the present moment, in our wits and senses, or not.

The peculiar proficiencies of great epochs are as astonishing as the exploits of individual frenzy. The era of the Greek rhapsodists, when a body of matchless epical literature was handed down by memory from generation to generation, and a recitation of the whole "Odyssey" was not too much for a dinner-party,—the era of Periclean culture, when the Athenian populace was wont to pass whole days in the theatre, attending with unfaltering intellectual keenness and æsthetic delight to three or four long dramas, either of which would exhaust a modern audience,—the wild and vast systems of imaginary abstractions, which the Neo-Platonists, as also the German transcendentalists, so strangely devised and became enamored of,—the grotesque views of men and things, the funny universe altogether, which made up both the popular and the learned thought of the Middle Ages,—the Buddhistic Orient, with its subtile metaphysical illusions, its unreal astronomical heavens, its habits of repose and its tornadoes of passion,—such are instances of great diversities of character, which would be hardly accountable to each other on the supposition of mutual sanity. They suggest a difference of ideas, moods, habits, and capacities, which in contemporaries and associates would amply justify either party that happened to be the majority in turning all the rest into insane asylums. It is the demoniac element, the raving of some particular demon, that creates greatness either in men or nations. Power is maniacal. A mysterious fury, a heavenly inspiration, an incomprehensible and irresistible impulse, goads humanity on to achievements. Every age, every person, and every art obeys the wand of the enchanter. History moves by indirections. The first historic tendency is likely to be slightly askew; there follows then an historic triumph, then an historic eccentricity, then an historic folly, then an explosion; and then the series begins again. In the grade of folly, hard upon an explosion, lies modern literature.

The characteristic mania of the last two centuries is reading and writing. Solomon discovered that much study is a weariness of the flesh; Aristophanes complained of the multitude and indignity of authors in his time; and the famed preacher, Geyler von Kaisersberg, in the age of prevalent monkery and Benedictine plodding, mentioned erudition and madness, on equal footing, as the twin results of books: "Libri quosdam ad scientiam, quosdam ad insaniam deduxere." These were successive symptoms of the growing malady. But where there was one writer in the time of Geyler, there are a million now. He saw both health and disease, and could distinguish between them. We see only the latter. Skill in letters, half a decade of centuries ago, was a miraculous attainment, and placed its possessor in the rank of divines and diviners; now, inability to read and write is

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