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Strictly Business: More Stories of the Four Million

Strictly Business: More Stories of the Four Million

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The Project Gutenberg eBook, Strictly Business, by O. Henry

Title: Strictly Business

More Stories of the Four Million

Author: O. Henry

Release Date: April, 2000 [eBook #2141]
Most recently updated: September 21, 2011

Language: English

Character set encoding: ISO-8859-1

***START OF THE PROJECT GUTENBERG EBOOK STRICTLY BUSINESS***



E-text prepared by anonymous Project Gutenberg volunteers
and revised by Joseph E. Loewenstein, M.D.

HTML version prepared by Joseph E. Loewenstein, M.D.









STRICTLY BUSINESS



More Stories of the Four Million


by


O. HENRY







CONTENTS



I.   STRICTLY BUSINESS
II.   THE GOLD THAT GLITTERED
III.   BABES IN THE JUNGLE
IV.   THE DAY RESURGENT
V.   THE FIFTH WHEEL
VI.   THE POET AND THE PEASANT
VII.   THE ROBE OF PEACE
VIII.   THE GIRL AND THE GRAFT
IX.   THE CALL OF THE TAME
X.   THE UNKNOWN QUANTITY
XI.   THE THING'S THE PLAY
XII.   A RAMBLE IN APHASIA
XIII.   A MUNICIPAL REPORT
XIV.   PSYCHE AND THE PSKYSCRAPER
XV.   A BIRD OF BAGDAD
XVI.   COMPLIMENTS OF THE SEASON
XVII.   A NIGHT IN NEW ARABIA
XVIII.   THE GIRL AND THE HABIT
XIX.   PROOF OF THE PUDDING
XX.   PAST ONE AT ROONEY'S
XXI.   THE VENTURERS
XXII.   THE DUEL
XXIII.   "WHAT YOU WANT"






I

STRICTLY BUSINESS


I suppose you know all about the stage and stage people. You've been touched with and by actors, and you read the newspaper criticisms and the jokes in the weeklies about the Rialto and the chorus girls and the long-haired tragedians. And I suppose that a condensed list of your ideas about the mysterious stageland would boil down to something like this:

Leading ladies have five husbands, paste diamonds, and figures no better than your own (madam) if they weren't padded. Chorus girls are inseparable from peroxide, Panhards and Pittsburg. All shows walk back to New York on tan oxford and railroad ties. Irreproachable actresses reserve the comic-landlady part for their mothers on Broadway and their step-aunts on the road. Kyrle Bellew's real name is Boyle O'Kelley. The ravings of John McCullough in the phonograph were stolen from the first sale of the Ellen Terry memoirs. Joe Weber is funnier than E. H. Sothern; but Henry Miller is getting older than he was.

All theatrical people on leaving the theatre at night drink champagne and eat lobsters until noon the next day. After all, the moving pictures have got the whole bunch pounded to a pulp.

Now, few of us know the real life of the stage people. If we did, the profession might be more overcrowded than it is. We look askance at the players with an eye full of patronizing superiority—and we go home and practise all sorts of elocution and gestures in front of our looking glasses.

Latterly there has been much talk of the actor people in a new light. It seems to have been divulged that instead of being motoring bacchanalians and diamond-hungry loreleis they are businesslike folk, students and ascetics with childer and homes and libraries, owning real estate, and conducting their private affairs in as orderly and unsensational a manner as any of us good citizens who are bound to the chariot wheels of the gas, rent, coal, ice, and wardmen.

Whether

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