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Dr. EDWIN H. LEWIS
It costs me nothing to feel that I am; it is no burden to me. And yet if the mental, physical, chemical, and other innumerable facts concerning all branches of knowledge which have united in myself could be broken up, they would prove endless. It is some untold mystery of unity in me, that has the simplicity of the infinite and reduces the immense mass of multitude to a single point.
This One in me knows the universe of the many. But, in whatever it knows, it knows the One in different aspects. It knows this room only because this room is One to it, in spite of the seeming contradiction of the endless facts contained in the single fact of the room. Its knowledge of a tree is the knowledge of a unity, which appears in the aspect of a tree.
This One in me is creative. Its creations are a pastime, through which it gives expression to an ideal of unity in its endless show of variety. Such are its pictures, poems, music, in which it finds joy only because they reveal the perfect forms of an inherent unity.
This One in me not only seeks unity in knowledge for its understanding and creates images of unity for its delight; it also seeks union in love for its fulfilment. It seeks itself in others. This is a fact, which would be absurd had there been no great medium of truth to give it reality. In love we find a joy which is ultimate because it is the ultimate truth. Therefore it is said in the Upanishads that the advaitam is anantam,—"the One is Infinite"; that the advaitam is anandam,—"the One is Love."
To give perfect expression to the One, the Infinite, through the harmony of the many; to the One, the Love, through the sacrifice of self, is the object alike of our individual life and our society.
|The Poet's Religion
|The Creative Ideal
|The Religion of the Forest
|An Indian Folk Religion
|East and West
|The Modern Age
|The Spirit of Freedom
|Woman and Home
|An Eastern University
THE POET'S RELIGION
Civility is beauty of behaviour. It requires for its perfection patience, self-control, and an environment of leisure. For genuine courtesy is a creation, like pictures, like music. It is a harmonious blending of voice, gesture and movement, words and action, in which generosity of conduct is expressed. It reveals the man himself and has no ulterior purpose.
Our needs are always in a hurry. They rush and hustle, they are rude and unceremonious; they have no surplus of leisure, no patience for anything else but fulfilment of purpose. We frequently see in our country at the present day men utilising empty kerosene cans for carrying water. These cans are emblems of discourtesy; they are curt and abrupt, they have not the least shame for their unmannerliness, they do not care to be ever so slightly more than useful.
The instruments of our necessity assert that we must have food, shelter, clothes, comforts and convenience. And yet men spend an immense amount of their time and resources in contradicting this assertion, to prove that they are not a mere living catalogue of endless wants; that there is in them an ideal of perfection, a sense of unity, which is a harmony between parts and a harmony with surroundings.
The quality of the infinite is not the magnitude of extension, it is in the Advaitam, the mystery of Unity. Facts occupy endless time and space; but the truth comprehending them all has no dimension; it is One. Wherever our heart touches the One, in the small or the big, it finds the touch of the infinite.
I was speaking to some one of the joy we have in our personality. I said it was because we were made conscious by it of a spirit of unity within ourselves. He answered that he had no such feeling of