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The Elements of Drawing, in Three Letters to Beginners

The Elements of Drawing, in Three Letters to Beginners

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The Project Gutenberg eBook, The Elements of Drawing, by John Ruskin

Title: The Elements of Drawing

In Three Letters to Beginners

Author: John Ruskin

Release Date: October 24, 2009 [eBook #30325]

Language: English

Character set encoding: ISO-8859-1

***START OF THE PROJECT GUTENBERG EBOOK THE ELEMENTS OF DRAWING***

 

E-text prepared by Juliet Sutherland, Marius Borror,
and the Project Gutenberg Online Distributed Proofreading Team
(http://www.pgdp.net)

 

Transcriber's note: One typographical error has been corrected. It appears in the text like this, and the explanation will appear when the mouse pointer is moved over the marked passage.

  Error #1: Page 58: 'Thus, the outline a and the outline d.' 'd' replaced by 'b.'

 


 

 
Library Edition

THE COMPLETE WORKS

OF

JOHN RUSKIN

ELEMENTS OF DRAWING AND
PERSPECTIVE
THE TWO PATHS
UNTO THIS LAST
MUNERA PULVERIS
SESAME AND LILIES
ETHICS OF THE DUST

NATIONAL LIBRARY ASSOCIATION

NEW YORK

CHICAGO

 

THE ELEMENTS OF DRAWING

IN
THREE LETTERS TO BEGINNERS.

CONTENTS.


  page
Preface ix
LETTER I.
On First Practice 1
LETTER II.
Sketching from Nature 65
LETTER III.
On Color and Composition 106

APPENDIX I.
Illustrative Notes 183
APPENDIX II.
Things to be Studied 188
 

["The Elements of Drawing" was written during the winter of 1856. The First Edition was published in 1857; the Second followed in the same year, with some additions and slight alterations. The Third Edition consisted of sixth thousand, 1859; seventh thousand, 1860; and eighth thousand, 1861.

The work was partly reproduced in "Our Sketching Club," by the Rev. R. St. John Tyrwhitt, M.A., 1874; with new editions in 1875, 1882, and 1886.

Mr. Ruskin meant, during his tenure of the Slade Professorship at Oxford, to recast his teaching, and to write a systematic manual for the use of his Drawing School, under the title of "The Laws of Fésole." Of this only vol. i. was completed, 1879; second edition, 1882.

As, therefore, "The Elements of Drawing" has never been completely superseded, and as many readers of Mr. Ruskin's works have expressed a desire to possess the book in its old form, it is now reprinted as it stood in 1859.]


ADVERTISEMENT

TO

THE SECOND EDITION.

As one or two questions, asked of me since the publication of this work, have indicated points requiring elucidation, I have added a few short notes in the first Appendix. It is not, I think, desirable otherwise to modify the form or add to the matter of a book as it passes through successive editions; I have, therefore, only mended the wording of some obscure sentences; with which exception the text remains, and will remain, in its original form, which I had carefully considered. Should the public find the book useful, and call for further editions of it, such additional notes as may be necessary will be always placed in the first Appendix, where they can be at once referred to, in any library, by the possessors of the earlier editions; and I will take care they shall not be numerous.

August 3, 1857.


PREFACE.

i. It may perhaps be thought, that in prefacing a manual of drawing, I ought to expatiate on the reasons why drawing should be learned; but those reasons appear to me so many and so weighty, that I cannot quickly state or enforce them. With the reader's permission, as this volume is too large already, I will waive all discussion respecting the importance of the subject, and touch only on those points which may appear questionable in the method of its treatment.

ii. In the first place, the book is not calculated for the use of children under the age of twelve or fourteen. I do not think it advisable to engage a child in any but the most voluntary practice of art. If it has talent for drawing, it will be continually scrawling on what paper it can get; and should be allowed to scrawl at its own free will, due praise being given for every appearance of care, or truth, in its efforts. It should be allowed to amuse itself with cheap colors almost as soon as it has sense enough to wish for them. If it merely daubs the paper with shapeless stains, the color-box may be taken away till it knows better: but as soon as it begins painting red coats on soldiers, striped flags to ships, etc., it should have colors at command; and, without restraining its choice of subject in that imaginative and historical art, of a military tendency, which children delight in, (generally quite as valuable, by the way, as any historical art delighted in by their elders,) it should be gently led by the parents to try to draw, in such childish fashion as may be, the things it can see and likes,—birds, or butterflies, or flowers, or fruit.

iii. In later years, the indulgence of using the color should only be granted as a reward, after it has shown care and

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