THE VISION AND CREED

OF

PIERS PLOUGHMAN.

EDITED,

FROM A CONTEMPORARY MANUSCRIPT,

WITH A HISTORICAL INTRODUCTION,

NOTES, AND A GLOSSARY,

BY THOMAS WRIGHT, M.A. F.S.A. &c.

Corresponding Member of the Imperial Institute of France,

Académie des Inscriptions et Belles-Lettres.

IN TWO VOLUMES.

VOL. I.

SECOND AND REVISED EDITION.

LONDON:
REEVES AND TURNER, 196 STRAND.
1887.

PREFACE TO THE SECOND EDITION.

T is now thirteen years since the first edition of the following text of this important poem was published by the late Mr. Pickering, during which time the study of our old literature and history has undergone considerable development, and it is believed that a reprint at a more moderate price would be acceptable to the public. Holding still the same opinion which he has always held with regard to the superior character of the manuscript from which this text was taken, the editor has done no more than carefully reprint it, but, in order to make it as useful as he could, he has revised and made additions to both the Notes and the Glossary.

The remarkable poem of The Vision of Piers Ploughman is not only so interesting a monument of the English language and literature, but it is also so important an illustration of the political history of our country during the fourteenth century, that it deserves to be read far more generally than it has been, and the editor will rejoice sincerely if he should have contributed by this new edition to render it more popular, and place it within the reach of a greater number of readers. Independent of its historical and literary importance, it contains many beauties which will fully repay the slight labour required to master its partially obsolete language, and, as one of the purest works in the English tongue as it existed during the century in which it was composed, it is to be hoped that, when the time shall at length arrive when English antiquities and English philology and literary history are at length to be made a part of the studies in our universities and in the higher classes of our schools, the work of the Monk of Malvern, as a link between the poetry and language of the Anglo-Saxon and those of modern England, will be made a prominent text-book.

THOMAS WRIGHT.

INTRODUCTION.

HE History of the Middle Ages in England, as in other countries, represents to us a series of great consecutive political movements, coexistent with a similar series of intellectual revolutions in the mass of the people. The vast mental development caused by the universities in the twelfth century led the way for the struggle to obtain religious and political liberty in the thirteenth. The numerous political songs of that period which have escaped the hand of time, and above all the mass of satirical ballads against the Church of Rome, which commonly go under the name of Walter Mapes, are remarkable monuments of the intellectual history of our forefathers. Those ballads are written in Latin; for it was the most learned class of the community which made the first great stand against the encroachments and corruptions of the papacy and the increasing influence of the monks. We know that the struggle alluded to was historically unsuccessful. The baronial wars ended in the entire destruction of the popular leaders; but their cause did not expire at Evesham; they had laid foundations which no storm could overthrow, not placed hastily on the uncertain surface of popular favour, but fixed deeply in the public mind. The barons, who had fought so often and so staunchly for the great charter, had lost their power; even the learning of the universities had faded under the withering grasp of monachism; but the remembrance of the old contest remained, and what was more, its literature was left, the songs which had spread abroad the principles for which, or against which, Englishmen had fought, carried them down (a precious legacy) to their posterity. Society itself had undergone an important change; it was no longer a feudal aristocracy which held the destinies of the country in its iron hand. The plant which had been cut off took root again in another (a healthier) soil; and the intelligence which had lost its force in the higher ranks of society began to spread itself among the commons. Even in the thirteenth century, before the close of the baronial wars, the complaints so vigorously expressed in the Latin songs, had begun, both in England and France, to appear in the language of the people. Many of the satirical poems of Rutebeuf and other contemporary writers against the monks, are little more than translations of the Latin poems which go under the name of Walter Mapes.

During the successive reigns of the first three Edwards, the public mind in England was in a state of constant fermentation. On the one hand, the monks, supported by the popish