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قراءة كتاب The Vision and Creed of Piers Ploughman, Volume I of II

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The Vision and Creed of Piers Ploughman, Volume I of II

The Vision and Creed of Piers Ploughman, Volume I of II

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دار النشر: Project Gutenberg
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church, had become an incubus upon the country. Their corruptness and immorality were notorious: the description of their vices given in the satirical writings of the thirteenth and fourteenth centuries exceeds even the bitterest calumnies of the age of Rabelais or the reports of the commissioners of Henry the Eighth.[1] The populace, held in awe by the imposing appearance of the popish church, and by the religious belief which had been instilled into them from their infancy, were opposed to the monks and clergy by a multitude of personal griefs and jealousies: these frequently led to open hostility, and in the chronicles of those days we read of the slaughter of monks, and the burning of abbeys, by the insurgent towns-people or peasantry. At the same time, while the monks in revenge treated the commons with contempt, there were numerous people who, under the name of Lollards and other such appellations,—led sometimes by the love of mischief and disorder, but more frequently by religious enthusiasm,—whose doctrines were simple and reasonable (although the church would fain have branded them all with the title of heretics),—went abroad among the people preaching not only against the corruptions of the monks, but against the most vital doctrines of the church of Rome, and, as might be expected, they found abundance of listeners. On the other hand, a new political system, and the embarrassments of a continued series of foreign wars, were adding to the general ferment. Instead of merely calling together the great feudal barons to lead their retainers to battle, the king was now obliged to appeal more directly to the people; and at the same time the latter began to feel the weight of taxation, and consequently they began to talk of the defects and the corruptions of the government, and to raise the cries, which have since so often been heard, against the king's "evil advisers." These cries were justified by many real and great oppressions under which the commons, and more particularly the peasantry, suffered; and (as the king and aristocracy were too much interested in the continuance of the abuses complained of to be easily induced to agree to an effective remedy), the commons began to feel that their own interests were equally opposed to those of the church, of the aristocracy, and of the crown, and amidst the other popular doctrines none were more loudly or more violently espoused than those of levellers and democrats. These, though comparatively few, aggravated the evil, by affording a pretence for persecution. The history of England during the fourteenth century is a stirring picture; its dark side is the increasing corruption of the popish church; its bright side, the general spread of popular intelligence, and the firm stand made by the commons in the defence of their liberties, and in the determination to obtain a redress of grievances.

Under these circumstances appeared Piers Ploughman. It is not to be supposed that all the other classes of society were hostile to the commons. The people, with the characteristic attachment of the Anglo-Saxons to the family of their princes, wished to believe that their king was always their friend, when not actuated by the counsels of his "evil advisers;"[2] several of the most powerful barons stood forward as the champions of popular liberty; and many of the monks quitted their monasteries to advocate the cause of the reformation. It appears to be generally agreed that a monk was the author of the poem of Piers Ploughman; but the question, one perhaps but of secondary importance, as to its true writer, is involved in much obscurity.[3] Several local allusions and other circumstances seem to prove that it was composed on the borders of Wales, where had originated most of the great political struggles, and we can hardly doubt that its author resided in the neighbourhood of "Malverne hilles." We have less difficulty in ascertaining its date. At ll. 1735-1782, we have, without doubt, an allusion to the treaty of Bretigny, in 1360, and to the events which preceded it: in the earlier part of this passage there is an allusion to the sufferings of the English army in the previous winter campaign, to the retreat which followed, and the want of provisions which accompanied it, and to the tempest which they encountered near Chartres (the "dym cloude" of the poem). The "pestilences" mentioned at l. 2497 were the great plague which happened in 1348-9 (and which had previously been alluded to in the opening of the poem, l. 168), and that of 1361-2,—the first two of the three great pestilences which devastated our island in the fourteenth century. The south-western wind, mentioned in l. 2500, occurred on the fifteenth day of January 1362. It is probable that the poem of Piers Ploughman was composed in the latter part of this year, when the effects of the great wind were fresh in people's memory, and when the treaty of Bretigny had become a subject of popular discontent.[4]

The poem was given to the world under a name which could not fail to draw the attention of the people. Amid the oppressive injustice of the great and the vices of their idle retainers, the corruptions of the clergy, and the dishonesty which too frequently characterised the dealings of merchants and traders, the simple unsophisticated heart of the ploughman is held forth as the dwelling of virtue and truth. It was the ploughman, and not the pope with his proud hierarchy, who represented on earth the Saviour who had descended into this world as the son of the carpenter, who had lived a life of humility, who had wandered on foot or ridden on an ass. "While God wandered on earth," says one of the political songs of the beginning of the fourteenth century,[5] "what was the reason that he would not ride?" The answer expresses the whole force of the popular sentiment of the age: "because he would not have a retinue of greedy attendants by his side, in the shape of grooms and servants, to insult and oppress the peasantry."

At the period when this poem was first published, England, in common with the rest of Europe, had been struck with a succession of calamities. Little more than twelve years had passed since a terrible pestilence had swept away perhaps not less than one-half of the population.[6] The lower classes, ill fed and neglected, perished by thousands, while the higher

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