You are here
قراءة كتاب The Legends of King Arthur and His Knights
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
Answer — The Emperor assembles his Armies — King Arthur slays the Emperor — Sir Gawain and Sir Prianius — The Lombards are defeated — King Arthur crowned at Rome
The Adventures of Sir Lancelot — He and his Cousin Sir Lionel set forth — The Four Witch-Queens — King Bagdemagus — Sir Lancelot slays Sir Turquine and delivers his Captive Knights — The Foul Knight — Sir Gaunter attacks Sir Lancelot — The Four Knights — Sir Lancelot comes to the Chapel Perilous — Ellawes the Sorceress — The Lady and the Falcon — Sir Bedivere and the Dead Lady
Beaumains is made a Kitchen Page by Sir Key — He claims the Adventure of the Damsel Linet — He fights with Sir Lancelot and is knighted by him in his True Name of Gareth — Is flouted by the Damsel Linet — But overthrows all Knights he meets and sends them to King Arthur’s Court — He delivers the Lady Lyones from the Knight of the Redlands — The Tournament before Castle Perilous — Marriage of Sir Gareth and the Lady Lyones
The Adventures of Sir Tristram — His Stepmother — He is knighted — Fights with Sir Marhaus — Sir Palomedes and La Belle Isault — Sir Bleoberis and Sir Segwarides — Sir Tristram’s Quest — His Return — The Castle Pluere — Sir Brewnor is slain — Sir Kay Hedius — La Belle Isault’s Hound — Sir Dinedan refuses to fight — Sir Pellinore follows Sir Tristram — Sir Brewse-without-pity — The Tournament at the Maiden’s Castle — Sir Palomedes and Sir Tristram
Merlin is bewitched by a Damsel of the Lady of the Lake — Galahad knighted by Sir Lancelot — The Perilous Seat — The Marvellous Sword — Sir Galahad in the Perilous Seat — The Sangreal — The Knights vow themselves to its Quest — The Shield of the White Knight — The Fiend of the Tomb — Sir Galahad at the Maiden’s Castle — The Sick Knight and the Sangreal — Sir Lancelot declared unworthy to find the Holy Vessel — Sir Percival seeks Sir Galahad — The Black Steed — Sir Bors and the Hermit — Sir Pridan le Noir — Sir Lionel’s Anger — He meets Sir Percival — The ship “Faith” — Sir Galahad and Earl Hernox — The Leprous Lady — Sir Galahad discloses himself to Sir Lancelot — They part — The Blind King Evelake — Sir Galahad finds the Sangreal — His Death
The Queen quarrels with Sir Lancelot — She is accused of Murder — Her Champion proves her innocence — The Tourney at Camelot — Sir Lancelot in the Tourney — Sir Baldwin the Knight-Hermit — Elaine, the Maid of Astolat, seeks for Sir Lancelot — She tends his Wounds — Her Death — The Queen and Sir Lancelot are reconciled
Sir Lancelot attacked by Sir Agravaine, Sir Modred, and thirteen other Knights — He slays them all but Sir Modred — He leaves the Court — Sir Modred accuses him to the King — The Queen condemned to be burnt — Her rescue by Sir Lancelot and flight with him — The War between Sir Lancelot and the King — The Enmity of Sir Gawain — The Usurpation of Sir Modred — The Queen retires to a Nunnery — Sir Lancelot goes on Pilgrimage — The Battle of Barham Downs — Sir Bedivere and the Sword Excalibur — The Death of King Arthur
ILLUSTRATOR’S NOTE
f scenes from the Legends of King Arthur and his Knights of the Round Table many lovely pictures have been painted, showing much diversity of figures and surroundings, some being definitely sixth-century British or Saxon, as in Blair Leighton’s fine painting of the dead Elaine; others—for example, Watts’ Sir Galahad—show knight and charger in fifteenth-century armour; while the warriors of Burne Jones wear strangely impracticable armour of some mystic period. Each of these painters was free to follow his own conception, putting the figures into whatever period most appealed to his imagination; for he was not illustrating the actual tales written by Sir Thomas Malory, otherwise he would have found himself face to face with a difficulty.
King Arthur and his knights fought, endured, and toiled in the sixth century, when the Saxons were overrunning Britain; but their achievements were not chronicled by Sir Thomas Malory until late in the fifteenth century.
Sir Thomas, as Froissart has done before him, described the habits of life, the dresses, weapons, and armour that his own eyes looked upon in the every-day scenes about him, regardless of the fact that almost every detail mentioned was something like a thousand years too late.
Had Malory undertaken an account of the landing of Julius Caesar he would, as a matter of course, have protected the Roman legions with bascinet or salade, breastplate, pauldron and palette, coudiére, taces and the rest, and have armed them with lance and shield, jewel-hilted sword and slim misericorde; while the Emperor himself might have been given the very suit of armour stripped from the Duke of Clarence before his fateful encounter with the butt of malmsey.
Did not even Shakespeare calmly give cannon to the Romans and suppose every continental city to lie majestically beside the sea? By the old writers, accuracy in these matters was disregarded, and anachronisms were not so much tolerated as unperceived.
In illustrating this edition of “The Legends of King Arthur and his Knights,” it has seemed best, and indeed unavoidable if the text and the pictures are to tally, to draw what Malory describes, to place the fashion of the costumes and armour somewhere about A.D. 1460, and to arm the knights in accordance with the Tabard Period.
LANCELOT SPEED.