arithmetic, one is better than a tenth."

"And by the same rules ten is better than one," said the friend.

"Sold again," sang out Master Jack from the floor, and went head over heels against the fender.

His brother boxed his ears with great promptitude, and went on, "Well, I don't care; confess, sir, isn't it rather a nuisance?"

Paterfamilias's friend looked very grave, and said, quietly, "I don't think I am able to judge. I never had brother or sister but one, and he was drowned at sea. Whatever I have had, I have had the whole of, and would have given it away willingly for some one to give it to. If any one sent me grapes, I ate them alone. If I made anything, there was no one to show it to. If I wanted to act, I must act all the characters, and be my own audience. I remember that I got a lot of sticks at last, and cut heads and faces to all of them, and carved names on their sides, and called them my brothers and sisters. If you want to know what I thought a nice number for a fellow to have, I can only say that I remember carving twenty-five. I used to stick them in the ground and talk to them. I have been only, and lonely, and alone, all my life, and have never felt the nuisance you speak of."

This was a funny account; but the speaker looked so far from funny that one of the sisters, who was very tender-hearted, crept up to him, and said, gently—

"Richard is only joking; he doesn't really want to get rid of us. The other day the curate said he wished he had a sister, and Richard offered to sell us all for ninepence; but he is only in fun. Only it is rather slow just now, and the boys get rather cross; at least, we all of us do."

"It's a dreadful state of things," said the friend, smiling through his black beard and moustachios. "What is to be done?"

"I know what would be very nice," insinuated the young lady.

"What?"

"If you wouldn't mind telling us a very short story till supper-time. The boys like stories."

"That's a good idea," said Benjamin. "As if the girls didn't!"

But the friend proclaimed order, and seated himself with the girl in question on his knee. "Well, what sort of a story is it to be?"

"Any sort," said Richard; "only not too true, if you please. I don't like stories like tracts. There was an usher at a school I was at, and he used to read tracts about good boys and bad boys to the fellows on Sunday afternoon. He always took out the real names, and put in the names of the fellows instead. Those who had done well in the week he put in as good ones, and those who hadn't as the bad. He didn't like me, and I was always put in as a bad boy, and I came to so many untimely ends I got sick of it. I was hanged twice, and transported once for sheep-stealing; I committed suicide one week, and broke into the bank the next; I ruined three families, became a hopeless drunkard, and broke the hearts of my twelve distinct parents. I used to beg him to let me be reformed next week; but he said he never would till I did my Cæsar better. So, if you please, we'll have a story that can't be true."

"Very well," said the friend, laughing; "but if it isn't true, may I put you in? All the best writers, you know, draw their characters from their friends now-a-days. May I put you in?"

"Oh, certainly!" said Richard, placing himself in front of the fire, putting his feet on the hob, and stroking his curls with an air which seemed to imply that whatever he was put into would be highly favoured.

The rest struggled, and pushed, and squeezed themselves into more modest but equally comfortable quarters; and after a few moments of thought, Paterfamilias's friend commenced the story of

MELCHIOR'S DREAM.

"Melchior is my hero. He was—well, he considered himself a young man, so we will consider him so too. He was not perfect; but in these days the taste in heroes is for a good deal of imperfection, not to say wickedness. He was not an only son. On the contrary, he had a great many brothers and sisters, and found them quite as objectionable as my friend Richard does."

"I smell a moral," murmured the said Richard.

"Your scent must be keen," said the story-teller, "for it is a long way off. Well, he had never felt them so objectionable as on one particular night, when, the house being full of company, it was decided that the boys should sleep in 'barracks,' as they called it; that is, all in one large room."

"Thank goodness, we have not come to that!" said the incorrigible Richard; but he was reduced to order by threats of being turned out, and contented himself with burning the soles of his boots against the bars of the grate in silence: and the friend continued:—

"But this was not the worst. Not only was he, Melchior, to sleep in the same room with his brothers, but his bed being the longest and largest, his youngest brother was to sleep at the other end of it—foot to foot. True, by this means he got another pillow, for, of course, that little Hop-o'-my-Thumb could do without one, and so he took his; but, in spite of this, he determined that, sooner than submit to such an indignity, he would sit up all night. Accordingly, when all the rest were fast asleep, Melchior, with his boots off and his waistcoat easily unbuttoned, sat over the fire in the long lumber-room which served that night as 'barracks.' He had refused to eat any supper downstairs to mark his displeasure, and now repaid himself by a stolen meal according to his own taste. He had got a pork-pie, a little bread and cheese, some large onions to roast, a couple of raw apples, an orange, and papers of soda and tartaric acid to compound effervescing draughts. When these dainties were finished, he proceeded to warm some beer in a pan, with ginger, spice, and sugar, and then lay back in his chair and sipped it slowly, gazing before him, and thinking over his misfortunes.

"The night wore on, the fire got lower and lower, and still Melchior sat, with his eyes fixed on a dirty old print that had hung above the mantelpiece for years, sipping his 'brew,' which was fast getting cold. The print represented an old man in a light costume, with a scythe in one hand and an hour-glass in the other; and underneath the picture in flourishing capitals was the word TIME.

"'You're a nice old beggar,' said Melchior, dreamily. 'You look like an old hay-maker who has come to work in his shirt-sleeves, and forgotten the rest of his clothes. Time! time you went to the tailor's, I think.'

"This was very irreverent; but Melchior was not in a respectful mood; and as for the old man, he was as calm as any philosopher.

"The night wore on, and the fire got lower and lower, and at last went out altogether.

"'How stupid of me not to have mended it!' said Melchior; but he had not mended it, and so there was nothing for it but to go to bed; and to bed he went accordingly.

"'But I won't go to sleep,' he said; 'no, no; I shall keep awake, and to-morrow they shall know that I have had a bad night.'

"So he lay in bed with his eyes wide open, and staring still at the old print, which he could see from his bed by the light of the candle, which he had left alight on the mantelpiece to keep him awake. The flame waved up and down, for the room was draughty; and as the lights and shadows passed over the old man's face, Melchior almost fancied that it nodded to him, so he nodded back again; and as that tired him he shut his eyes for a few seconds. When he opened them again, there was no longer any doubt—the old man's head was moving; and not only his head, but his legs, and his whole body. Finally, he put his feet out of the frame, and prepared to step