You are here

قراءة كتاب Women of Modern France

تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

‏اللغة: English
Women of Modern France

Women of Modern France

تقييمك:
0
No votes yet
دار النشر: Project Gutenberg
الصفحة رقم: 1


Transcriber's Note: The Table of Contents was added by the Transcriber.

WOMAN

In all ages and in all countries

WOMEN OF MODERN FRANCE

by

HUGO P. THIEME, Ph.D.

Of the University of Michigan

THE RITTENHOUSE PRESS
PHILADELPHIA


Copyrighted at Washington and entered at Stationer's Hall, London,
1907–1908
and printed by arrangement with George Barrie's Sons.
PRINTED IN U.S.A.

Contents

PREFACE vii
Chapter I. Woman in politics 1
Chapter II. Woman in Family Life, Education, and Letters 31
Chapter III. The Seventeenth Century: Woman at Her Best 69
Chapter IV. Woman in Society and Literature 97
Chapter V. Mistresses and Wives of Louis XIV 131
Chapter VI. Mme. de Sévigné, Mme. de La Fayette, Mme. Dacier, Mme. de Caylus 165
Chapter VII. Woman in Religion 197
Chapter VIII. Salon Leaders: Mme. de Tencin, Mme. Geoffrin, Mme. du Deffand, Mlle. de Lespinasse, Mme. du Châtelet 221
Chapter IX. Salon Leaders—(Continued): Mme. Necker, Mme. d'Epinay, Mme. de Genlis: Minor Salons 249
Chapter X. Social Classes 277
Chapter XI. Royal Mistresses 305
Chapter XII. Marie Antoinette and the Revolution 329
Chapter XIII. Women of the Revolution and the Empire 355
Chapter XIV. Women of the Nineteenth Century 381

PREFACE

Among the Latin races, the French race differs essentially in one characteristic which has been the key to the success of French women—namely, the social instinct. The whole French nation has always lived for the present time, in actuality, deriving from life more of what may be called social pleasure than any other nation. It has been a universal characteristic among French people since the sixteenth century to love to please, to make themselves agreeable, to bring joy and happiness to others, and to be loved and admired as well. With this instinctive trait French women have always been bountifully endowed. Highly emotional, they love to charm, and this has become an art with them; balancing this emotional nature is the mathematical quality. These two combined have made French women the great leaders in their own country and among women of all races. They have developed the art of studying themselves; and the art of coquetry, which has become a virtue, is a science with them. The singular power of discrimination, constructive ability, calculation, subtle intriguing, a clear and concise manner of expression, a power of conversation unequalled in women of any other country, clear thinking: all these qualities have been strikingly illustrated in the various great women of the different periods of the history of France, and according to these they may by right be judged; for their moral qualities have not always been in accordance with the standard of other races.

According as these two fundamental qualities, the emotional and mathematical, have been developed in individual women, we meet the different types which have made themselves prominent in history. The queens of France, in general, have been submissive and pious, dutiful and virtuous wives, while the mistresses have been bold and frivolous, licentious and self-assertive. The women outside of these spheres either looked on with indifference or regret at the all-powerfulness of this latter class, unable to change conditions, or themselves enjoyed the privilege of the mistress.

It must be remembered that in the great social circles in France, especially from the sixteenth to the end of the eighteenth centuries, marriage was a mere convention, offences against it being looked upon as matters concerning manners, not morals; therefore, much of the so-called gross immorality of French women may be condoned. It will be seen in this history that French women have acted banefully on politics, causing mischief, inciting jealousy and revenge, almost invariably an instrument in the hands of man, acting as a disturbing element. In art, literature, religion, and business, however, they have ever been a directing force, a guide, a critic and judge, an inspiration and companion to man.

The wholesome results of French women's activity are reflected especially in art and literature, and to a lesser degree in religion and morality, by the tone of elegance, politeness, finesse, clearness, precision, purity, and a general high standard which man followed if he was to succeed. In politics much severe blame and reproach have been heaped upon her—she

Pages