language to the Navajos, may doubt that the latter derived their art from a people higher in culture than themselves.

The appliances and processes of the smith are much the same among the Navajos as among the Pueblo Indians. But the Pueblo artisan, living in a spacious house, builds a permanent forge on a frame at such a height that he can work standing, while his less fortunate Navajo confrère, dwelling in a low hut or shelter, which he may abandon any day, constructs a temporary forge on the ground in the manner hereafter described. Notwithstanding the greater disadvantages under which the latter labors, the ornaments made by his hand are generally conceded to be equal or even superior to those made by the Pueblo Indian.

A large majority of these savage smiths make only such simple articles as buttons, rosettes, and bracelets; those who make the more elaborate articles, such as powder-chargers, round beads (Pl. XVI), tobacco cases, belts, and bridle ornaments are few. Tobacco cases, made in the shape of an army canteen, such as that represented in Fig. 6, are made by only three or four men in the tribe, and the design is of very recent origin.

Their tools and materials are few and simple; and rude as the results of their labor may appear, it is surprising that they do so well with such imperfect appliances, which usually consist of the following articles: A forge, a bellows, an anvil, crucibles, molds, tongs, scissors, pliers, files, awls, cold-chisels, matrix and die for molding buttons, wooden implement used in grinding buttons, wooden stake, basin, charcoal, tools and materials for soldering (blow-pipe, braid of cotton rags soaked in grease, wire, and borax), materials for polishing (sand-paper, emery-paper, powdered sandstone, sand, ashes, and solid stone), and materials for whitening (a native mineral substance—almogen—salt and water). Fig. 1, taken from a photograph, represents the complete shop of a silversmith, which was set up temporarily in a summer lodge or hogan, near Fort Wingate. Fragments of boards, picked up around the fort, were used, in part, in the construction of the hogan, an old raisin-box was made to serve as the curb or frame of the forge, and these things detracted somewhat from the aboriginal aspect of the place.

A forge built in an outhouse on my own premises by an Indian silversmith, whom I employed to work where I could constantly observe him, was twenty-three inches long, sixteen inches broad, five inches in height to the edge of the fire-place, and the latter, which was bowl-shaped, was eight inches in diameter and three inches deep. No other Navajo forge that I have seen differed materially in size or shape from this. The Indian thus constructed it: In the first place, he obtained a few straight sticks—four would have sufficed—and laid them on the ground to form a frame or curb; then he prepared some mud, with which he filled the frame, and which he piled up two inches above the latter, leaving the depression for the fire-place. Before the structure of mud was completed he laid in it the wooden nozzle of the bellows, where it was to remain, with one end about six inches from the fire-place, and the other end projecting about the same distance beyond the frame; then he stuck into the nozzle a round piece of wood, which reached from the nozzle to the fire-place, and when the mud work was finished the stick was withdrawn, leaving an uninflammable tweer. When the structure of mud was completed a flat rock about four inches thick was laid on at the head of the forge—the end next to the bellows—to form a back to the fire, and lastly the bellows was tied on to the nozzle, which, as mentioned above, was built into the forge, with a portion projecting to receive the bellows. The task of constructing this forge did not occupy