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قراءة كتاب Navajo weavers Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1881-'82, Government Printing Office, Washington, 1884, pages 371-392.

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Navajo weavers
Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1881-'82, Government Printing Office, Washington, 1884, pages 371-392.

Navajo weavers Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1881-'82, Government Printing Office, Washington, 1884, pages 371-392.

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دار النشر: Project Gutenberg
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44, and 46, that in Fig. 46 being the most distinct.

§ VI. In making a blanket the operator sits on the ground with her legs folded under her. The warp hangs vertically before her, and (excepting in a case to be mentioned) she weaves from below upwards. As she never rises from this squatting posture when at work, it is evident that when she has woven the web to a certain height further work must become inconvenient or impossible unless by some arrangement the finished web is drawn downwards. Her cloth-beam does not revolve as in our looms, so she brings her work within easy reach by the following method: The spiral rope (Plate XXXVIII and Fig. 42) is loosened, the yarn-beam is lowered to the desired distance, a fold is made in the loosened web, and the upper edge of the fold is sewed down tightly to the cloth-beam. In all new blankets over two feet long the marks of this sewing are to be seen, and they often remain until the blanket is worn out. Plate XXXV, representing a blanket nearly finished, illustrates this procedure.

Except in belts, girths, and perhaps occasionally in very narrow blankets, the shuttle is never passed through the whole width of the warp at once, but only through a space which does not exceed the length of the batten; for it is by means of the batten, which is rarely more than 3 feet long, that the shed is opened.


Weaving Of Diamond-shaped Diagonals

PL. XXXV.—WEAVING OF DIAMOND-SHAPED DIAGONALS.ToList


Suppose the woman begins by weaving in the lower shed. She draws apportion of the healds towards her, and with them the anterior threads of the shed; by this motion she opens the shed about 1 inch, which is not sufficient for the easy passage of the woof. She inserts her batten edgewise into this opening and then turns it half around on its long axis, so that its broad surfaces lie horizontally; in this way the shed is opened to the extent of the width of the batten—about 3 inches; next the weft is passed through. In fig. 42 the batten is shown lying edgewise (its broad surfaces vertical), as it appears when just inserted into the shed, and the weft, which has been passed through only a portion of the shed, is seen hanging out with its end on the ground. In Plate XXXV the batten is shown in the second position described, with the shed open to the fullest extent necessary, and the weaver is represented in the act of passing the shuttle through. When the weft is in, it is shoved down into its proper position by means of the reed-fork, and then the batten, restored to its first position (edgewise), is brought down with firm blows on the weft. It is by the vigorous use of the batten that the Navajo serapes are rendered water-proof. In Plate XXXVIII the weaver is seen bringing down this instrument "in the manner and for the purpose described," as the letters patent say.

When the lower shed has received its thread of weft the weaver opens the upper shed. This is done by releasing the healds and shoving the shed-rod down until it comes in contact with the healds; this opens the upper shed down to the web. Then the weft is inserted and the batten and reed-fork used as before. Thus she goes on with each shed alternately until the web is finished.

It is, of course, desirable, at least in handsome blankets of intricate pattern, to have both ends uniform even if the figure be a little faulty in the center. To accomplish this some of the best weavers depend on a careful estimate of the length of each figure before they begin, and weave continuously in one direction; but the majority weave a little portion of the upper end before they finish the middle. Sometimes this is done by weaving from above downwards; at other times it is done by turning the loom upside down and working from below upwards in the ordinary manner. In Fig. 49, which represents one of the very finest results of Navajo work, by the best weaver in the tribe, it will be seen that exact uniformity in the ends has not been attained. The figure was of such a nature that the blanket had to be woven in one direction only.

I have described how the ends of the blanket are bordered with a stout three-ply string applied to the folds of the warp. The lateral edges of the blanket are similarly protected by stout cords applied to the weft. The way in which these are woven in, next demands our attention. Two stout worsted cords, tied together, are firmly attached at each end of the cloth-beam just outside of the warp; they are then carried upwards and loosely tied to the yarn-beam or the supplementary yarn-beam. Every time the weft is turned at the edge these two strings are twisted together and the weft is passed through the twist; thus one thread or strand of this border is always on the outside. As it is constantly twisted in one direction, it is evident that, after a while, a counter-twist must form which would render the passage of the weft between the cords difficult, if the cords could not be untwisted again. Here the object of tying these cords loosely to one of the upper beams, as before described, is displayed. From time to time the cords are untied and the unwoven portion straightened as the work progresses. Fig. 44 and Plate XXXVIII show these cords. The coarse blankets do not have them. (Fig 42.)

Figure 44: Weaving of saddle-girth.

Fig. 44.—Weaving of saddle-girth.ToList


Navajo blankets are single-ply, with designs the same on both sides, no matter how elaborate these designs may be. To produce their varigated patterns they have a separate skein, shuttle, or thread for each component of the pattern. Take, for instance, the blanket depicted in Fig. 49. Across this blanket, between the points a—b, we have two serrated borders, two white spaces, a small diamond in the center, and twenty-four serrated stripes, making in all twenty-nine component parts of the pattern. Now, when the weaver was working in this place, twenty-nine different threads of weft might have been seen hanging from the face of the web at one time. In the girth pictured in Fig. 44 five different threads of woof are shown depending from the loom.

When the web is so nearly finished that the batten can no longer be inserted in the warp, slender rods are placed in the shed, while the weft is passed with increased difficulty on the end of a delicate splinter and the reed-fork alone presses the warp home. Later it becomes necessary to remove even the rod and the shed; then the alternate threads are separated by a slender stick worked in tediously between them, and two threads of woof are inserted—one above and the other below the stick. The very last thread is sometimes put in with a darning needle. The weaving of the last three inches requires more labor than any foot of the previous work.

In Figs. 49, 50, 51, 52, and 53 it will be seen that there are small fringes or tassels at the corners of the blankets; these are made of the redundant ends of the four border-cords (i.e., the portions of the cord by which

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