ancient elms, and stopped for a moment before an old gray house with high steps and broad piazza—a large, square-built, two-storied house, with a roof sloping down toward the front, broken by dormer windows and buttressed by a massive brick chimney at either end. In spite of the gray monotone to which the paintless years had reduced the once white weatherboarding and green Venetian blinds, the house possessed a certain stateliness of style which was independent of circumstance, and a solidity of construction that resisted sturdily the disintegrating hand of time. Heart-pine and live-oak, mused the colonel, like other things Southern, live long and die hard. The old house had been built of the best materials, and its woodwork dowelled and mortised and tongued and grooved by men who knew their trade and had not learned to scamp their work. For the colonel's grandfather had built the house as a town residence, the family having owned in addition thereto a handsome country place upon a large plantation remote from the town.

The colonel had stopped on the opposite side of the street and was looking intently at the home of his ancestors and of his own youth, when a neatly dressed coloured girl came out on the piazza, seated herself in a rocking-chair with an air of proprietorship, and opened what the colonel perceived to be, even across the street, a copy of a woman's magazine whose circulation, as he knew from the advertising rates that French and Co. had paid for the use of its columns, touched the million mark. Not wishing to seem rude, the colonel moved slowly on down the street. When he turned his head, after going a rod or two, and looked back over his shoulder, the girl had risen and was re-entering the house. Her disappearance was promptly followed by the notes of a piano, slightly out of tune, to which some one—presumably the young woman—was singing in a high voice, which might have been better had it been better trained,

The colonel had slackened his pace at the sound of the music, but, after the first few bars, started forward with quickened footsteps which he did not relax until little Phil's weight, increasing momentarily, brought home to him the consciousness that his stride was too long for the boy's short legs. Phil, who was a thoroughbred, and would have dropped in his tracks without complaining, was nevertheless relieved when his father's pace returned to the normal.

Their walk led down a hill, and, very soon, to a wooden bridge which spanned a creek some twenty feet below. The colonel paused for a moment beside the railing, and looked up and down the stream. It seemed narrower and more sluggish than his memory had pictured it. Above him the water ran between high banks grown thick with underbrush and over-arching trees; below the bridge, to the right of the creek, lay an open meadow, and to the left, a few rods away, the ruins of the old Eureka cotton mill, which in his boyhood had harboured a flourishing industry, but which had remained, since Sherman's army laid waste the country, the melancholy ruin the colonel had seen it last, when twenty-five years or more before, he left Clarendon to seek a wider career in the outer world. The clear water of the creek rippled harmoniously down a gentle slope and over the site where the great dam at the foot had stood, while birds were nesting in the vines with which kindly nature had sought to cloak the dismantled and crumbling walls.

Mounting the slope beyond the bridge, the colonel's stride now carefully accommodated to the child's puny step, they skirted a low brick wall, beyond which white headstones gleamed in a mass of verdure. Reaching an iron gate, the colonel lifted the latch, and entered the cemetery which had been the object of their visit.

"Is this the place, papa?" asked the little boy.

"Yes, Phil, but it is farther on, in the older part."

They passed slowly along, under the drooping elms and willows, past the monuments on either hand—here, resting on a low brick wall, a slab of marble, once white, now gray and moss-grown, from which the hand of time had well nigh erased the carved inscription; here a family vault, built into the side of a mound of earth, from which only the barred iron door distinguished it; here a pedestal, with a time-worn angel holding a broken fragment of the resurrection trumpet; here a prostrate headstone, and there another bending to its fall; and among them a profusion of rose bushes, on some of which the early roses were already blooming—scarcely a well-kept cemetery, for in many lots the shrubbery grew in wild unpruned luxuriance; nor yet entirely neglected, since others showed the signs of loving care, and an effort had been made to keep the walks clean and clear.

Father and son had traversed half the width of the cemetery, when they came to a spacious lot, surrounded by large trees and containing several monuments. It seemed less neglected than the lots about it, and as they drew nigh they saw among the tombs a very black and seemingly aged Negro engaged in pruning a tangled rose tree. Near him stood a dilapidated basket, partially filled with weeds and leaves, into which he was throwing the dead and superfluous limbs. He seemed very intent upon his occupation, and had not noticed the colonel's and Phil's approach until they had paused at the side of the lot and stood looking at him.

When the old man became aware of their presence, he straightened himself up with the slow movement of one stiff with age or rheumatism and threw them a tentatively friendly look out of a pair of faded eyes.

"Howdy do, uncle," said the colonel. "Will you tell me whose graves these are that you are caring for?"

"Yas, suh," said the old man, removing his battered hat respectfully—the rest of his clothing was in keeping, a picturesque assortment of rags and patches such as only an old Negro can get together, or keep together—"dis hyuh lot, suh, b'longs ter de fambly dat I useter b'long ter—de ol' French fambly, suh, de fines' fambly in Beaver County."

"Why, papa!" cried little Phil, "he means——"

"Hush, Phil! Go on, uncle."

"Yas, suh, de fines' fambly in Cla'endon, suh. Dis hyuh headstone hyuh, suh, an' de little stone at de foot, rep'esents de grave er ol' Gin'al French, w'at fit in de Revolution' Wah, suh; and dis hyuh one nex' to it is de grave er my ol' marster, Majah French, w'at fit in de Mexican Wah, and died endyoin' de wah wid de Yankees, suh."

"Papa," urged Phil, "that's my——"

"Shut up, Phil! Well, uncle, did this interesting old family die out, or is it represented in the present generation?"

"Lawd, no, suh, de fambly did n' die out—'deed dey did n' die out! dey ain't de kind er fambly ter die out! But it's mos' as bad, suh—dey's moved away. Young Mars Henry went ter de Norf, and dey say he's got rich; but he ain't be'n back no mo', suh, an' I don' know whether he's ever comin' er no."

"You must have been very fond of them to take such good care of their graves," said the colonel, much moved, but giving no sign.

"Well, suh, I b'longed ter de fambly, an' I ain' got no chick ner chile er my own, livin', an' dese hyuh dead folks 'pears mo' closer ter me dan anybody e'se. De cullud folks don' was'e much time wid a ole man w'at ain' got nothin', an' dese hyuh new w'ite folks wa't is come up sence de wah, ain' got no use fer niggers, now dat dey don' b'long ter nobody no mo'; so w'en I ain' got nothin' e'se ter do, I comes roun' hyuh, whar I knows ev'ybody and ev'ybody knows me, an' trims de rose bushes an' pulls up de weeds and keeps de grass down jes' lak I s'pose Mars