darkness.

"Don't be scared, sonny," he said, in a reassuring voice. "I'm going to take you home along with me. Poor little lad, I'll look after you if folks that ought to don't."

Out of the dark corner came a shout of delight, in a voice which made the settler's heart stand still. "Daddy, daddy," it said, "I knew you'd come. I was so frightened when it got dark!" And a little figure launched itself into the settler's arms, and clung to him trembling. The man sat down on the threshold and strained the child to his breast. He remembered how near he had been to disregarding the far-off cries, and great beads of sweat broke out upon his forehead.

Not many weeks afterwards the settler was following the fresh trail of a bear which had killed his sheep. The trail led him at last along the slope of a deep ravine, from whose bottom came the brawl of a swollen and obstructed stream. In the ravine he found a shallow cave, behind a great white rock. The cave was plainly a wild beast's lair, and he entered circumspectly. There were bones scattered about, and on some dry herbage in the deepest corner of the den, he found the dead bodies, now rapidly decaying, of two small panther cubs.

The Perdu.

To the passing stranger there was nothing mysterious about it except the eternal mystery of beauty. To the scattered folk, however, who lived their even lives within its neighborhood, it was an object of dim significance and dread.

At first sight it seemed to be but a narrow, tideless, windless bit of backwater; and the first impulse of the passing stranger was to ask how it came to be called the "Perdu." On this point he would get little information from the folk of the neighborhood, who knew not French. But if he were to translate the term for their better information, they would show themselves impressed by a sense of its occult appropriateness.

The whole neighborhood was one wherein the strange and the not-to-be-understood might feel at home. It was a place where the unusual was not felt to be impossible. Its peace was the peace of one entranced. To its expectancy a god might come, or a monster, or nothing more than the realization of eventless weariness.

Only four or five miles away, across the silent, bright meadows and beyond a softly swelling range of pastured hills, swept the great river, a busy artery of trade.

On the river were all the modern noises, and with its current flowed the stream of modern ideas. Within sight of the river a mystery, or anything uninvestigated, or aught unamenable to the spirit of the age, would have seemed an anachronism. But back here, among the tall wild-parsnip tops and the never-stirring clumps of orange lilies, life was different, and dreams seemed likely to come true.

The Perdu lay perpetually asleep, along beside a steep bank clothed with white birches and balsam poplars. Amid the trunks of the trees grew elder shrubs, and snake-berries, and the elvish trifoliate plants of the purple and the painted trillium. The steep bank, and the grove, and the Perdu with them, ran along together for perhaps a quarter of a mile, and then faded out of existence, absorbed into the bosom of the meadows.

The Perdu was but a stone's throw broad, throughout its entire length. The steep with its trunks and leafage formed the northern bound of it; while its southern shore was the green verge of the meadows. Along this low rim its whitish opalescent waters mixed smoothly with the roots and over-hanging blades of the long grasses, with the cloistral arched frondage of the ferns, and with here and there a strayed spray of purple wild-pea. Here and there, too, a clump of Indian willow streaked the green with the vivid crimson of its stems.

Everything watched and waited. The meadow was a sea of sun mysteriously imprisoned in the green meshes of the grass-tops. At wide intervals arose some lonely alder bushes, thick banked with clematis. Far off, on the slope of a low, bordering hill, the red doors of a barn glowed ruby-like in the transfiguring sun. At times, though seldom, a blue heron winged over the level. At times a huge black-and-yellow bee hummed past, leaving a trail of faint sound that seemed to linger like a perfume. At times the landscape, that was so changeless, would seem to waver a little, to shift confusedly like things seen through running water. And all the while the meadow scents and the many-colored butterflies rose straight up on the moveless air, and brooded or dropped back into their dwellings.

Yet in all this stillness there was no invitation to sleep. It was a stillness rather that summoned the senses to keep watch, half apprehensively, at the doorways of perception. The wide eye noted everything, and considered it,—even to the hairy red fly alit on the fern frond, or the skirring progress of the black water-beetle across the pale surface of the Perdu. The ear was very attentive—even to the fluttering down of the blighted leaf, or the thin squeak of the bee in the straitened calyx, or the faint impish conferrings of the moisture exuding suddenly from somewhere under the bank. If a common sound, like the shriek of a steamboat's whistle, now and again soared over across the hills and fields, it was changed in that refracting atmosphere, and became a defiance at the gates of waking dream.

The lives, thoughts, manners, even the open, credulous eyes of the quiet folk dwelling about the Perdu, wore in greater or less degree the complexion of the neighborhood. How this came to be is one of those nice questions for which we need hardly expect definitive settlement. Whether the people, in the course of generations, had gradually keyed themselves to the dominant note of their surroundings, or whether the neighborhood had been little by little wrought up to its pitch of supersensibility by the continuous impact of superstitions, and expectations, and apprehensions, and wonders, and visions, rained upon it from the personalities of an imaginative and secluded people,—this might be discussed with more argument than conclusiveness.

Of the dwellers about the Perdu none was more saturated with the magic of the place than Reuben Waugh, a boy of thirteen. Reuben lived in a small, yellow-ochre-colored cottage, on the hill behind the barn with the red doors. Whenever Reuben descended to the level, and turned to look back at the yellow dot of a house set in the vast expanse of pale blue sky, he associated the picture with a vague but haunting conception of some infinite forget-me-not flower. The boy had all the chores to do about the little homestead; but even then there was always time to dream. Besides, it was not a pushing neighborhood; and whenever he would he took for himself a half-holiday. At such times he was more than likely to stray over to the banks of the Perdu.

It would have been hard for Reuben to say just why he found the Perdu so attractive. He might have said it was the fishing; for sometimes, though not often, he would cast a timorous hook into its depths and tremble lest he should lure from the pallid waters some portentous and dreadful prey. He never captured, however, anything more terrifying than catfish; but these were clad in no small measure of mystery, for the white waters of the Perdu had bleached their scales to a ghastly pallor, and the opalescence of their eyes was apt to haunt their captor's reveries. He might have said, also, that it was his playmate, little Celia Hansen,—whose hook he would bait whenever she wished to fish, and whose careless hands, stained with berries, he would fill persistently with bunches of the hot-hued orange lily.

But Reuben knew there was more to say than this. In a boyish way, and all unrealizing, he loved the child with a sort of love that would one day flower out as an absorbing passion. For the present, however, important as she was to him, she was nevertheless distinctly secondary to the Perdu itself with its nameless spell. If Celia was not there, and if he did not care to