pass as acquaintances of yours, say? Don't people ever come to look the Works over?"

"Not often, but they might. And shall I invent new names for you both?" His manner was as alert as Joyce's own, now, and the perpendicular lines were nearly smoothed out between his eyes.

"No. If, as you say, my name is unknown we will not dye ourselves too deeply in deception. I think I'll remain Joyce Lavillotte, thank you! Can we start at once?"

He seemed pleased at her eagerness, but gave her handsome mourning costume a perplexed glance.

"Assuredly, only—I don't know much about such things, but aren't you pretty well dressed to go around in the worst parts? There are some dirty places, though it's clean work in the main. I know you wish to be thorough," with an approving glance, "so I mention it. You haven't any old frock that you could get at near by?"

At this instant Ellen was heard to give a little sniff and both turned their gaze upon her, Dalton's questioning, and Joyce's laughing and deprecatory.

"Did you speak, Ellen?" she asked mischievously.

"No 'm, I didn't, but I was just a-thinkin' that if you'd 'a' listened to me and wore your old Henrietta-cloth——"

"But as usual I did not listen, Ellen, and we won't scold now about unimportant matters. Lead on, Mr. Dalton; we're ready."

The man reached for his hat, closed his ledger carefully upon the pen he had been using, then opened an inner door, and stood aside to let them pass on through a short, narrow entry, from which another door led them directly into the noise and vapors of the Works.

CHAPTER IV.

THE WORKS AND WORKMEN.

It would not be best to attempt a detailed description of the Early Glass Works, lest the subject prove so interesting we forget our story. There are few industries so fascinating to watch, or even to read about, as that of glass-blowing, and on this inspection morning Joyce had to keep reminding herself that she had come, primarily, to study the workmen and not the process, so absorbed did she frequently become in the latter.

The Early Works made a specialty of flint-glass crystal, and cut and engraved ware for domestic and ornamental use, also of the finer qualities of shades for lamps and chandeliers. As Joyce lingered again and again to watch the swift and graceful shaping of the molten substance, while airy stem or globe were blown into being by the breath of man, to be afterwards carved into exquisite designs upon the emery-wheel, or graven against the spindle, all with a dexterity that seemed simply marvelous to her ignorance, she decided in her own mind that a master at glass working was not an artisan, but an artist.

Mr. Dalton seemed amused at her child-like delight, and tried to explain all she observed in language not too technical for her comprehension. But often she became too absorbed to question, or even listen, at which times he stood silently by, watching with open admiration her fair, expressive face.

Dalton was, in a sense, a self-made man, having begun as stoker of one of the annealing furnaces when both he and the Works were young. He had climbed steadily, serving his apprenticeship in each department, and studying at a night-school, when such were in operation, until the sudden demise of Mr. Early had lifted him from the position of foreman to that of manager, by right of a thorough understanding of the business. He was a plain thoughtful-seeing man, in his thirties, who showed by his terse speech, practical manner, and business garb that he had no intention of forgetting his work-a-day life in his present elevation. Perhaps he had never so keenly felt how entirely it had been a work-a-day life until this morning.

After a time Joyce ceased to feel dazed over the dull roar of the furnaces, the flash and glow of the fiery masses of molten glass as lifted from the pots, the absorbing sight of the blowing, rolling, clipping, joining, cutting, and engraving, and the precision and silence of the white-aproned, sometimes mask-protected workmen. She could begin to notice individuals and study faces.

She stopped, finally, close by the marver of a young man—boy she called him to herself—the precision of whose workmanship was that of a machine. He was shaping a slender, long-stemmed, pitcher-like vase made in three parts, foot, body and handle, afterwards joining them in one exquisitely fine whole, after the manner of the Clichy crystal ware. He was a remarkable looking being, she thought, divided between studying his face and admiring his workmanship. Though somewhat deformed, with a curving back and high shoulders, the face that crowned this misshapen figure might have been the original of one of those intaglios of Venice, which seem to reproduce all that is refined and choice in human features. He had the broad brow, delicate, sensitive nose, curved and mobile lips, and the square, slightly cleft chin that make up an almost perfect outline. Yet the large dark eyes bore an expression of such hopelessness, such unyouthful gravity, that the whole face seemed gloomed over, as when a heavy cloud shuts out the brilliant sunshine of an August day. He did not deign so much as a glance towards the visitors, but like an automaton blew the graceful bulb, shaped it upon his marver, with a light, skilful blow detached it from his blowing-iron, received from his assistant the foot and joined the two, with a dextrous twist and turn shaped the slender handle and added that, all the time keeping his "divining-rod" (as Joyce named it to herself) turning, rolling, advancing, receding, as if it were some inspired wand, impelled to create the absolutely beautiful in form and finish. As they slowly passed on Joyce breathed out involuntarily,

"Poor boy! He seems too sad even to wish for anything."

Dalton gave her a quick, keen glance.

"You have guessed it, Miss Lavillotte. He's got where he doesn't care. He is one of our finest workmen, and a good fellow, but he is so unsocial and gloomy the other boys all shun him."

"Do you know his story?" asked Joyce with interest.

"Why, yes, I know something of him. It isn't much of a story, though," laughing a little. "We don't go much into romancing here. He had a twin brother that was as handsome as he in the face, and straight and tall into the bargain; in fact, as fine a fellow as you'll see in a century—and he shot him last year."

"Shot him?" Joyce recoiled in horror.

"Yes, accidentally of course. Their father had been a soldier in the civil war, and in some way the rifle he carried, with his name and the date scratched on the trigger-plate, was sent to the boys by a comrade after his death. Dan, there, was handling it, supposing it unloaded as usual, when it went off and shot his brother, who was leaning over him, right through the heart. That's all."

"All!" Joyce breathed the word with a meaning, practical George Dalton scarcely understood, and they proceeded in silence.

One other of the workers attracted the girl, as instantly, and partially distracted her thoughts from Dan. This was a girl with a peculiar face; not handsome. Joyce could only think of one descriptive word—high. Pale, with dark coloring in hair and eyes, she seemed somehow remote, lifted above the common life about her, like one living in a world of her own. She, too, seemed absorbed in her work of engraving, and did not for an instant remove her eyes from her delicate task, as she slowly turned and pressed the globe against the spindle, working out the pattern etched in the film covering its surface. But Joyce asked no questions about her as they passed on.

"Now for the homes," she said, after the long tour of the buildings was completed. "How can we gain entrance without seeming to intrude? Had we better all try to go? It will seem like a regular incursion, won't it?"

Mr. Dalton smiled.

"If you could let me out, I'd be grateful. I've a big day's work laid out on the