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قراءة كتاب The Cathedral Church of Canterbury [2nd ed.] A Description of Its Fabric and a Brief History of the Archiepiscopal See

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The Cathedral Church of Canterbury [2nd ed.]
A Description of Its Fabric and a Brief History of the Archiepiscopal See

The Cathedral Church of Canterbury [2nd ed.] A Description of Its Fabric and a Brief History of the Archiepiscopal See

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دار النشر: Project Gutenberg
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class="tocch">Details of Ornament

47 Old Painting, “The Murder of St. Thomas à Becket” 51 The Shrine of St. Thomas à Becket (from the Cottonian MS.) 52 Capitals of Columns in the Eastern Apse 54 The Choir—looking East 59 Do.     before Restoration 62 A Miserere in the Choir 65 Some Mosaics from the Floor of Trinity Chapel 73 The Black Prince’s Tomb 77 Shield, Coat, etc., of the Black Prince 80 West Gate 81 Trinity Chapel, looking into Corona, “Becket’s Crown” 88 Chair of St. Augustine 89 Transept of “The Martyrdom” 92 Part of South-Western Transept 94 The Crypt 97 Do.    St. Gabriel’s Chapel 100 Do.    Cardinal Morton’s Monument 101 Plans of Cathedral at three periods 130

From the North the cathedral from the north (from a photograph by carl norman and co.).

CANTERBURY CATHEDRAL.

CHAPTER I.

Table of
Contents

THE HISTORY OF THE BUILDING.

More than four hundred years passed by between the beginning of the building of this cathedral by Archbishop Lanfranc (1070-1089) and its completion, by the addition of the great central tower, at the end of the fifteenth century. But before tracing the history of the construction of the present well-known fabric, a few words will not be out of place concerning the church which preceded it on the same site. A British or Roman church, said to have been built by a certain mythical King Lucius, was given to St. Augustine by Ethelbert in a.d. 597. It was designed, broadly speaking, on the plan of the old Basilica of St. Peter at Rome, but as to the latest date of any alterations, which may or may not have been made by Augustine and his immediate successors, we have no accurate information. It is, however, definitely stated that Archbishop Odo, who held the see from a.d. 942-959, raised the walls and rebuilt the roof. In the course of these alterations the church was roofless for three years, and we are told that no rain fell within the precincts during this time. In a.d. 1011 Canterbury was pillaged by the Danes, who carried off Archbishop Alphege to Greenwich, butchered the monks, and did much damage to the church. The building was, however, restored by Canute, who made further atonement by hanging up his crown within its walls, and bringing back the body of Alphege, who had been martyred by the Danes. In the year 1067 the storms of the Norman Conquest overwhelmed St. Augustine’s church, which was completely destroyed by fire, together with many royal deeds of privilege and papal bulls, and other valuable documents.

A description of the church thus destroyed is given by Prof. Willis, who quotes all the ancient writers who mention it. The chief authority is Eadmer, who was a boy at the monastery school when the Saxon church was pulled down, and was afterwards a monk and “singer” in the cathedral. It is he who tells us that it was arranged in some parts in imitation of the church of St. Peter at Rome. Odo had translated the body of Wilfrid, Archbishop of York, from Ripon to Canterbury, and had “worthily placed it in a more lofty receptacle, to use his own words, that is to say, in the great Altar which was constructed of rough stones and mortar, close to the wall at the eastern part of the presbytery. Afterwards another altar was placed at a convenient distance before the aforesaid altar.... In this altar the blessed Elphege had solemnly deposited the head of St. Swithin ... and also many relics of other saints. To reach these altars, a certain crypt

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