pginternal" tag="{http://www.w3.org/1999/xhtml}a">1. In 1276 they laid the foundation of the northern tower; to consecrate the spot, the bishop walked solemnly round it, then took a trowel in his hand and thrust it into the ground, as a sign for beginning the work. They relate that a quarrel having occured between two workmen who both wished to work with the trowel the bishop had held in his hand, one of them was killed. This murder was considered as a very bad omen; Conrad ordered their labour to be suspended for nine days; they were only resumed after he had consecrated the place anew. The following year, on saint Urban's day (25th May), Conrad himself laid the first stone of the tower. In the midst of his warfares, this bishop always entertained much affection for his Cathedral, as he beheld the gradual rising of this glorious work, as an old inscription terms it2; in his heartfelt joy he used to compare it to the flowers of May that bloom in the sun3. To the very end of his life Conrad of Lichtenberg neglected nothing to urge on the progress of his work of predilection; after his death, in 1299, he received in it a sepulchre worthy of him; his statue is still to be seen in saint John's chapel. Yet, during the life of Conrad, the Cathedral was shaken by several earthquakes in 1279, 1289, 1291; that of 1289 was so violent that the columns in the interior of the building threatened for a moment to fall down. But a very favourable circumstance happened in 1292, which was the surrender of the Œuvre-Notre-Dame to the magistrate of the city, who was henceforth charged with the management of the revenues allotted to the keeping in repair of the Church and consequently also to the completion of it. A few years after, in 1298, a new misfortune happened to the Cathedral. A fire, caused by the imprudence of a cavalier of Albert I, during the sojourn of that prince at Strasburg, consumed all the timberwork and threatened even the pillars and walls. However the damage was promptly repaired. In 1302 a bloody conflict between two citizens of the town, which took place in the very chancel of the church, required again a new consecration of it.

After the death of bishop Conrad of Lichtenberg, who in the year 1299 was killed in a battle near Friburg, his brother and successor, Frederic, showed no less ardour for the continuation of this building; in 1303 he invited the curates throughout Alsacia to exhort those of their faithful parishioners who had horses and carts, to convey stones for the edifice; in 1308 the magistrate of Strasburg, no doubt at the request of bishop John, promised freepasses to all those who would bring stones or wood, and he secured wine and wheat for the workmen.

Erwin superintended the works until 1318, when he died on the 14th of January. All the children of this grand master were artists worthy of him: Sabina, his daughter, carved several statues for the Cathedral; one of his sons, who died in 1330, built the fine church of Haslach; his other son, John, succeeded him in directing the works of the Cathedral, and he died in 1339. In 1331 bishop Berthold of Bucheck built the chapel of saint Catherine, which also contains his tomb. The disturbances and calamities that desolated Strasburg during a great part of the fourteenth century, the revolution of 1332 that altered the form of the government of the town, the ravage caused by the black plague in 1349 with the insurrections accompanying it, the contest of bishop Berthold with his chapter and with the emperor, all this retarded of course the progress of the construction of the Cathedral. Nevertheless they terminated in 1365 the northern tower; Kœnigshoven calls it the new tower, perhaps, because they purposed erecting a pyramid on it, which was quite an innovation in the architecture of that time. The southern tower, which the chronicler calls the ancient one, because it was not intended to be raised higher, was finished at the same time. The name of the artist who made the plan of the pyramid and spire of the northern tower is still unknown; nor is it known who built the steeple which formerly rose above the grande rosace, or rose.

In 1368 the church was again struck by lightning without receiving much damage; in 1384 a fire that broke out in the organ, burnt all the interior with the exception of the chancel. Ever since that time large vats were set in the different parts of the building and guardians placed in the interior and in the towers. In 1429, John Hültz of Cologne was sent for to complete this great work; ten years after, he finished the spire; on Midsummer's day 1439, in the presence of a great multitude, he laid the last stone, exactly a hundred and sixty two years after Conrad of Lichtenberg had placed the first stone of this monument; a statue of the Virgin Mary was also erected on the knob terminating the spire1.

At the time of the reformation the Cathedral passed over to the protestants; it is true that on account of their worship, they caused several chapels to be closed and some altars to be removed, but they made no material change, nor spoiled any thing; on the contrary, they watched with care over the magnificent building and even caused important repairs to be made in it. Several times it was very much injured by fire and by lightning, particularly in the years 1540, 1555, 1568, 1624 and 1625. In 1654 the spire was destroyed by lightning; the skilful architect Heckler was obliged to rebuild it sixty five feet high. By the capitulation of 1681 the Cathedral was restored to the catholics, who immediately began to repair it, but unfortunately in that wretched style then prevailing, and when not the least intelligence of christian art existed any longer, they pulled down the lobby made by Erwin, so much admired in the middle age as a masterpiece of elegance; in