scabrous missiles and sends it whizzing across his shoulder. The second one brushes his ear. The third sends the blood from his temple. And this, while beating a retreat and cursing his father and his uncle and their ancestors back to fifty generations. He is now safe in the poplar grove, and his uncle gives up the charge. With a broken noddle he returns home, and Khalid with a broken heart wends his way to the Acropolis, the only shelter in sight. In relating this story, Shakib mentions “the horrible old moon, who was wickedly smiling over the town that night.” A broken icon, a broken door, a broken pate,––a big price this, the crabbed uncle and the cruel father had 23 to pay for thwarting the will of little Khalid. “But he entered the Acropolis a conqueror,” says our Scribe; “he won the battle.” And he slept in the temple, in the portico thereof, as sound as a muleteer. And the swallows in the niches above heard him sleep.

In the morning he girds his loins with a firm resolution. No longer will he darken his father’s door. He becomes a muleteer and accomplishes the success of which we have spoken. His first beau idéal was to own the best horse in Baalbek; and to be able to ride to the camp of the Arabs and be mistaken for one of them, was his first great ambition. Which he realises sooner than he thought he would. For thrift, grit and perseverance, are a few of the rough grains in his character. But no sooner he is possessed of his ideal than he begins to loosen his hold upon it. He sold his mare to the tourist, and was glad he did not attain the same success in his first love. For he loved his mare, and he could not have loved his cousin Najma more. “The realisation is a terrible thing,” writes our Scribe, quoting his Master. But when this fine piece of wisdom was uttered, whether when he was sailing paper boats in Baalbek, or unfurling his sails in New York, we can not say.

And now, warming himself on the fire of his first ideal, Khalid will seek the shore and launch into unknown seas towards unknown lands. From the City of Baal to the City of Demiurgic Dollar is not in fact a far cry. It has been remarked that he always dreamt of adventures, of long journeys across the desert or across the sea. He never was satisfied with 24 the seen horizon, we are told, no matter how vast and beautiful. His soul always yearned for what was beyond, above or below, the visible line. And had not the European tourist alienated from him the love of his mare and corrupted his heart with the love of gold, we might have heard of him in Mecca, in India, or in Dahomey. But Shakib prevails upon him to turn his face toward the West. One day, following some tourists to the Cedars, they behold from Dahr’ul-Qadhib the sun setting in the Mediterranean and make up their minds to follow it too. “For the sundown,” writes Shakib, “was more appealing to us than the sunrise, ay, more beautiful. The one was so near, the other so far away. Yes, we beheld the Hesperian light that day, and praised Allah. It was the New World’s bonfire of hospitality: the sun called to us, and we obeyed.”