قراءة كتاب L'Aiglon

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‏اللغة: English
L'Aiglon

L'Aiglon

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دار النشر: Project Gutenberg
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colspan="2">Fanny Elssler

Margaret Gordon Scarampi, Mistress of the Robes Francis Comstock Mina, a maid-of-honor Edith Scott An Archduchess, a child Beatrice Morrison

Princes, Princesses, Archdukes, Archduchesses, Maids-of-Honor, Officers, Noble Guard, Masks (Male and Female), Crotian Peasants, Hungarian Peasant, Austrian Soldiers, Police Officers.

The period covered by the play is from 1830 to 1832.

decoration

THE DUKE OF REICHSTADT FROM THE PAINTING BY SIR THOMAS LAWRENCE

THE DUKE OF REICHSTADT
FROM THE PAINTING BY SIR THOMAS LAWRENCE

decoration N and crown

THE FIRST ACT

decoration

decoration

L'AIGLON

THE FIRST ACT

At Baden, near Vienna, in 1830.

The drawing-room of the villa occupied by Maria Louisa. The walls are painted al fresco in bright colors. The frieze is decorated with a design of sphinxes.

At the back, between two other windows, a window reaching to the ground and forming the entrance from the garden. Beyond, the balustrade of the terrace leading into the garden; a glimpse of lindens and pine-trees. A magnificent day in the beginning of September. Empire furniture of lemonwood decorated with bronze. A large china stove in the centre of the wall on the left. In front of it a door. On the right, two doors. The first leads to the apartments of Maria Louisa. In front of the window on the left at the back an Erard piano of the period, and a harp. A big table on the right, and against the right wall a small table with shelves filled with books. On the left, facing the audience, a Récamier couch, and a large stand for candlesticks. A great many flowers in vases. Framed engravings on the walls representing the members of the Imperial Family of Austria. A portrait of the Emperor Francis.

At the rise of the curtain a group of elegant ladies is discovered at the further end of the room. Two of them are seated at the piano, with their backs to the audience, playing a duet. Another is at the harp. They are playing at sight, amid much laughter and many interruptions. A lackey ushers in a modestly dressed young girl who is accompanied by an officer of the Austrian Cavalry. Seeing that no one notices their entrance, these two remain standing a moment in a corner. The Count de Bombelles comes in from the door on the right and goes toward the piano. He sees the young girl, and stops, with a smile.

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