past we have seen the British Empire in peril on all sides, with the addition of depression and incipient rebellion at home, but her horizon is not as dark as it was in 1780, when, with a failing cause in America, England had the whole of Europe against her.

In any estimate of the prospects of England we must take into account the recent marked changes in the social condition. Mr. Escott has an instructive chapter on this in his excellent book on England. He notices that the English character is losing its insularity, is more accessible to foreign influences, and is adopting foreign, especially French, modes of living. Country life is losing its charm; domestic life is changed; people live in "flats" more and more, and the idea of home is not what it was; marriage is not exactly what it was; the increased free and independent relations of the sexes are somewhat demoralizing; women are a little intoxicated with their newly-acquired freedom; social scandals are more frequent. It should be said, however, that perhaps the present perils are due not to the new system, but to the fact that it is new; when the novelty is worn off the peril may cease.

Mr. Escott notices primogeniture as one of the stable and, curious enough, one of the democratic institutions of society. It is owing to primogeniture that while there is a nobility in England there is no noblesse. If titles and lands went to all the children there would be the multitudinous noblesse of the Continent. Now, by primogeniture, enough is retained for a small nobility, but all the younger sons must go into the world and make a living. The three respectable professions no longer offer sufficient inducement, and they crowd more and more into trade. Thus the middle class is constantly recruited from the upper. Besides, the upper is all the time recruited from the wealthy middle; the union of aristocracy and plutocracy may be said to be complete. But merit makes its way continually from even the lower ranks upward, in the professions, in the army, the law, the church, in letters, in trade, and, what Mr. Escott does not mention, in the reformed civil service, newly opened to the humblest lad in the land. Thus there is constant movement up and down in social England, approaching, except in the traditional nobility, the freedom of movement in our own country. This is all wholesome and sound. Even the nobility itself, driven by ennui, or a loss of former political control, or by the necessity of more money to support inherited estates, goes into business, into journalism, writes books, enters the professions.

What are the symptoms of decay in England? Unless the accumulation of wealth is a symptom of decay, I do not see many. I look at the people themselves. It seems to me that never in their history were they more full of vigor. See what travelers, explorers, adventurers they are. See what sportsmen, in every part of the globe, how much they endure, and how hale and jolly they are—women as well as men. The race, certainly, has not decayed. And look at letters. It may be said that this is not the age of pure literature—and I'm sure I hope the English patent for producing machine novels will not be infringed—but the English language was never before written so vigorously, so clearly, and to such purpose. And this is shown even in the excessive refinement and elaboration of trifles, the minutia of reflection, the keenness of analysis, the unrelenting pursuit of every social topic into subtleties untouched by the older essayists. And there is still more vigor, without affectation, in scientific investigation, in the daily conquests made in the realm of social economy, the best methods of living and getting the most out of life. Art also keeps pace with luxury, and shows abundant life and promise for the future.

I believe, from these and other considerations, that this vigorous people will find a way out of its present embarrassment, and a way out without retreating. For myself, I like to see the English sort of civilization spreading over the world rather than the Russian or the French. I hope England will hang on to the East, and not give it over to the havoc of squabbling tribes, with a dozen religions and five hundred dialects, or to the military despotism of an empire whose morality is only matched by the superstition of its religion.

The relations of England and the United States are naturally of the first interest to us. Our love and our hatred have always been that of true relatives. For three-quarters of a century our 'amour propre' was constantly kept raw by the most supercilious patronage. During the past decade, when the quality of England's regard has become more and more a matter of indifference to us, we have been the subject of a more intelligent curiosity, of increased respect, accompanied with a sincere desire to understand us. In the diplomatic scale Washington still ranks below the Sublime Porte, but this anomaly is due to tradition, and does not represent England's real estimate of the status of the republic. There is, and must be, a good deal of selfishness mingled in our friendship—patriotism itself being a form of selfishness—but our ideas of civilization so nearly coincide, and we have so many common aspirations for humanity that we must draw nearer together, notwithstanding old grudges and present differences in social structure. Our intercourse is likely to be closer, our business relations will become more inseparable. I can conceive of nothing so lamentable for the progress of the world as a quarrel between these two English-speaking peoples.

But, in one respect, we are likely to diverge. I refer to literature; in that, assimilation is neither probable nor desirable. We were brought up on the literature of England; our first efforts were imitations of it; we were criticised—we criticised ourselves on its standards. We compared every new aspirant in letters to some English writer. We were patted on the back if we resembled the English models; we were stared at or sneered at if we did not. When we began to produce something that was the product of our own soil and our own social conditions, it was still judged by the old standards, or, if it was too original for that, it was only accepted because it was curious or bizarre, interesting for its oddity. The criticism that we received for our best was evidently founded on such indifference or toleration that it was galling. At first we were surprised; then we were grieved; then we were indignant. We have long ago ceased to be either surprised, grieved, or indignant at anything the English critics say of us. We have recovered our balance. We know that since Gulliver there has been no piece of original humor produced in England equal to "Knickerbocker's New York"; that not in this century has any English writer equaled the wit and satire of the "Biglow Papers." We used to be irritated at what we called the snobbishness of English critics of a certain school; we are so no longer, for we see that its criticism is only the result of ignorance—simply of inability to understand.

And we the more readily pardon it, because of the inability we have to understand English conditions, and the English dialect, which has more and more diverged from the language as it was at the time of the separation. We have so constantly read English literature, and kept ourselves so well informed of their social life, as it is exhibited in novels and essays, that we are not so much in the dark with regard to them as they are with regard to us; still we are more and more bothered by the insular dialect. I do not propose to criticise it; it is our misfortune, perhaps our fault, that we do not understand it; and I only refer to it to say that we should not be too hard on the Saturday Review critic when he is complaining of the American dialect in the English that Mr. Howells writes. How can the Englishman be expected to come into sympathy with the fiction that has New England for its subject—from