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قراءة كتاب The Draw

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‏اللغة: English
The Draw

The Draw

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دار النشر: Project Gutenberg
الصفحة رقم: 8

eyes intent.

Buck's gun appeared in his hand.

The professor let out a long breath. "Now think it back into its holster."

It was there.

"You did not move your arm either time," said the professor.

"That's right," said Buck.

"The gun was just suddenly in your hand instead of in your holster. And then it was back in the holster."

"Right."

"Telekinesis," said the professor, almost reverently.

"Telewhat?"

"Telekinesis—the moving of material objects by mental force." The professor leaned back and studied the holstered gun. "It must be that. I hardly dared think if at first—the first time you did it. But the thought did occur to me. And now I'm virtually certain!"

"How do you say it?"

"T-e-l-e-k-i-n-e-s-i-s."

"Well, how do I do it?"

"I can't answer that. Nobody knows. It's been the subject of many experiments, and there are many reported happenings—but I've never heard of any instance even remotely as impressive as this." The professor leaned across the table again. "Can you do it with other things, young man?"

"What other things?"

"That bottle on the bar, for example."

"Never tried."

"Try."

Buck stared at the bottle.

It wavered. Just a little. Rocked, and settled back.

Buck stared harder, eyes bulging.

The bottle shivered. That was all.

"Hell," Buck said. "I can't seem to—to get ahold of it with my mind, like I can with my gun."

"Try moving this glass on the table," the professor said, "It's smaller, and closer."


Buck stared at the glass. It moved a fraction of an inch across the tabletop. No more.

Buck snarled like a dog and swatted the glass with his hand, knocking it halfway across the room.

"Possibly," the professor said, after a moment, "you can do it with your gun because you want to so very badly. The strength of your desire releases—or creates—whatever psychic forces are necessary to perform the act." He paused, looking thoughtful. "Young man, suppose you try to transport your gun to—say, to the top of the bar."

"Why?" Buck asked suspiciously.

"I want to see whether distance is a factor where the gun is concerned. Whether you can place the gun that far away from you, or whether the power operates only when you want your gun in your hand."

"No," Buck said in an ugly voice. "Damn if I will. I'd maybe get my gun over, there and not be able to get it back, and then you'd jump me—the two of you. I ain't minded to experiment around too much, thank you."

"All right," the professor said, as if he didn't care. "The suggestion was purely in the scientific spirit—"

"Sure," said Buck. "Sure. Just don't get any more scientific, or I'll experiment on how many holes you can get in you before you die."

The professor sat back in his chair and looked Buck right in the eye. After a second, Buck looked away, scowling.

Me, I hadn't said a word the whole while, and I wasn't talking now.

"Wonder where that goddam yellow-bellied sheriff is?" Buck said. He looked out the window, then glanced sharply at me. "He said he'd come, huh?"

"Yeah." When I was asked, I'd talk.

We sat in silence for a few moments.

The professor said, "Young man, you wouldn't care to come with me to San Francisco, would you? I and my colleagues would be very grateful for the opportunity to investigate this strange gift of yours—we would even be willing to pay you for your time and—"

Buck laughed. "Why, hell, I reckon I got bigger ideas'n that, mister! Real big ideas. There's no man alive I can't beat with a gun! I'm going to take Billy the Kid ... Hickock ... all of them! I'm going to get myself a rep bigger'n all theirs put together. Why, when I walk into a saloon, they'll hand me likker. I walk into a bank, they'll give me the place. No lawman from Canada to Mexico will even stay in the same town with me! Hell, what could you give me,

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