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قراءة كتاب The Atlantic Monthly, Volume 14, No. 81, July, 1864 A Magazine of Literature, Art, and Politics

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‏اللغة: English
The Atlantic Monthly, Volume 14, No. 81, July, 1864
A Magazine of Literature, Art, and Politics

The Atlantic Monthly, Volume 14, No. 81, July, 1864 A Magazine of Literature, Art, and Politics

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دار النشر: Project Gutenberg
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six this afternoon I must know your decision": Robert's grave, inquiring face, when he first met his father, and saw his changed look. The rooms he had taken for us were but partially furnished, carpetless, the sun staring in through dirty windows, blue and yellow paper on the walls. He went out with Dr. Manning for a walk; the boys scattered off noisily to the sea-side. I went to work making a sort of lounge for Teddy to sleep on, out of some blocks of wood and staves of an old barrel, and so passed the time until noon. Then I sat down to mend the weekly heap of boys' socks, half-washed and leather-stained. Out of the window where I sat I looked down into the muddy back-yard of the boarding-house, where an Irishwoman was washing and gossiping with the cook cleaning fish over the ash-heap. This was what Life held for me now, was it? When the door was opened, a strong whiff of dinner filled the room. Two o'clock came.

"I will not go down to dinner," I said to Jacqueline, when the cracked bell rang. "I will go out and find Doctor Manning on the cliffs. I may have something to say to him."

But when she was gone, I darned on at the unclean socks. Somehow the future faced me in my work and surroundings. But I did not think of it as a whole. The actual dignity and beauty of life, God's truth itself, may have grown dim to me, behind a faint body and tired fingers; but let the hard-worked woman who is without that sin throw the first stone at me. I got up at last, folded the stockings, and put them away; then pinned on my bonnet and shawl. Teddy was sitting on the stairs, half asleep. I stopped to kiss him.

"You'll be back soon, mother?"—hugging me close about the neck.

"Good bye, Bud! Bring your father his pipe to-night, as he likes you to do,—and every night."

I strained him close to my breast again; he had a warm, honest little heart of his own; he would be such a man as his father. I gasped, set him down: I dared not kiss him after I thought of that: and went out of the hall, stumbling over the boarders' hats and greasy oil-cloth. Without, the air had that yellow stirless calm peculiar to Newport, which gives to the sea and landscape the effect of those French pictures glassed in tinted crystal. There were but few passengers on the street. I wondered if any of them held his fate in his hand as I did mine that day. Before I reached the cliffs the afternoon was passing away rapidly; the heated pavements under my feet growing cooler, and barred with long gray shadows; a sea-breeze blowing tattered sand-colored clouds inland; the bell of the steamer rang out sharply down at the quiet little wharf. In half an hour she would sail. M. Vaux was on board, awaiting me. I had but little time to spare.

I turned and crept slowly along the road to where the grassy street opened on the cliffs, and sat down on the brown rocks. I could see my husband on the sands with Robert, pacing to and fro; the scent of their cigars almost reached me where I sat. I must see him once more. The bell of the boat rang again; but I sat still, breaking off bits of the salt crust from the rock, hardly looking up to see if her steam was up. I was going. I knew she would not sail until I was on board. And I must see him again; he would call me Hetty, maybe: that would be something to remember. It was very quiet. The bare, ghastly cliffs formed a sort of crescent, on which I sat; far below, the sea rolled in, over the white sand, in heavy ashen sweeps: in one horn of the crescent the quaint old town nestled, its smoky breath sleepily giving good-night to the clear pink air; in the other stood the sullen fort, the flag flapping sharply against the sky. The picture cut itself vividly on my brain. The two black figures came slowly towards me, across the sands, seeing me at last. I would not tell him I was going: I could write from New York: I thought, my courage giving way. What a hard, just face Robert Manning had! What money I made should go to the support of my child: Robert should not think me derelict in every duty. Then I tried to get up to meet them, but leaned back more heavily on the rocks, twisting my fingers in a tuft of salt hay that grew there.

I heard Robert say something about "jaded" and "overworked," as he looked at me, throwing away his cigar; his father answered in a whisper, which made the young man's face soften, and when they came near, he called me "mother," for the first time. Into the face of the man beside him I did not look: I thought I never could look again. There was a small rip in the sleeve of his great-coat: I remember I saw it, and wondered feebly if Jacky would attend to it,—if my child, when she was a woman, would be careful and tender with her father. Meantime my husband was talking in his cheerfullest, heartiest voice.

"Coming here makes me feel as if the old boy-time had come back, Hetty. Rob and I have been planning out our new life, and the sea and the fresh air and the very houses seemed to join in the talk, and help me on as they used to do then. I'll begin all new: just as then. Only now"——

He put his hand on my shawl with a motion that had infinite meaning and affection in it. The little steamer at the wharf swayed and rocked. Her freight was nearly all on deck: I had but a few moments more,—that is, if I meant to be free.

"We are going down to the hotel for a few minutes,—business, Hetty," he said. "Will you wait for us here? or are you afraid to be alone?

"No, I'm not afraid to be alone. It is better for me."

"Good bye, then. Come, Rob."

I did not say good-bye. Even then, I think I did not know what I had resolved. I thrust my fingers deeper into the wet tuft of grass, heard the long dash of the breakers on the beach, looked at the square black figure of Robert Manning as it went slowly up the sandy road into the street. At the other, taller and more bent, beside it, I did not once look. I wiped the clammy moisture off my face and throat.

"It's the woman's flesh of me," I said. "There is better stuff in me than that. I will go now, and fulfil my calling."

On the wharf, as I went creeping along, I met Monsieur. He offered me his fat little arm, with smiles and congratulations, and handed me hurriedly over the plank on to the deck. In a moment the steamer was puffing out of harbor.


I was to play Marian in my own opera. God had given me a power of head-work, skill for a certain mission, and I was going to perform it. The vast, vague substance on which I was to act was brought before me to-night, palpable,—the world, posterity, time; how did I call it? But, somehow, it was not what I had dreamed of since my babyhood up yonder in Concord. Nothing was vast or vague. I was looking into a little glass in a black-painted frame, and saw the same Mrs. Manning, with the same high cheekbones, the yellow mole on the upper lip, the sorrowful brown eyes: dressed in tulle now, though, the angular arms and shoulders bare, and coated with chalk, a pat of rouge laid on each cheek: under the tulle-body the same old half-sickness; the same throbbing back-tooth threatening to ache. The room was small, triangular: a striped, reddish cotton carpet on the floor, a door with a brass handle, my bandbox open on a chair, a basin with soapy water, soiled towels, two dripping tallow-candles: in short, a dressing-room in a theatre. Outside, wheels, pulleys, pasteboard castles, trees, chairs, more bony women, more chalk, more tulle. Monsieur in a greasy green dressing-gown odorous of tobacco, swearing at a boy with blear eyes,—a scene-shifter. The orchestra tuning beyond the foot-lights: how vilely the first violin slurred over that second passage! "Life's Prophecy," I called it; and that "Vision of Heaven," the trombonist came in always false on the bass, because, as Monsieur said, he had always two brandy-slings too much. Beyond was "the world," passive, to be acted upon; the parquet,—ranged

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