boiled mutton and caper sauce and suet puddings that loaded its table.

The kitchen, although it was next to the morning-room, was a far pleasanter resort. So far as any ground-floor now could be considered safe, the kitchen was safe. It looked out upon its own fortified basement whose perforated iron staircase had a spiked door at the top, which could be securely shut. The kitchen contained a large number of objects of natural interest, among which was a shallow cupboard that included upon an attainable shelf jars of currants, sultanas, and rice much more edible in the raw state than cooked. There was the electric-bell case, recording with mysterious discs a far-off summons. There was the drawer in the kitchen table that contained, besides knives and forks, a rolling-pin, a tin-opener, a corkscrew, skewers and, most exciting of all, a club-shaped cage for whipping eggs. There was also a deep drawer in the dresser which held many revelations of the private history of Annie and Cook. Michael could easily have spent days in the kitchen without exhausting its treasures, and as for Cook, gross though she was and heavily though she smelt of onions and beer, her tales were infinitely superior to anything ever known in the way of narration.

Towards the end of June, Mrs. Fane came back. Her arrival was heralded by the purchase of several pots of marguerites and calceolarias—the latter to Michael a very objectionable flower because, detecting in it some resemblance to his dearly loved snapdragons, he pressed open the mouth of a flower and, finding inside a small insect, had to drop the whole pot in a shudder. This brought the punishment of not being allowed to watch from the steps for his mother's cab rounding the corner into Carlington Road, and made calceolarias for ever hateful. However, Mrs. Fane arrived in the richness of a midsummer twilight, and Michael forgot all about calceolarias in his happiness. All day long for many golden days he pattered up and down the house and in and out of all the rooms at his mother's heels. He held coils of picture-wire and hooks and hammers and nails and balls of wool and reels of silk and strands of art-muslin and spiders of cotton-wool and Japanese fans and plumes of pampas grass and all the petty utilities and beauties of house arrangement. By the end of July every room was finally arranged, and Michael and Stella with their mother, accompanied by Nurse and Annie, went down to the seaside to spend two wonderful months. Michael was often allowed to sit up an extra half-hour and even when he went to bed his mother would come to hear him say his prayers. She would sit by him, her lovely face flushed by the rose-red August sunsets that floated in through the open window on a sound of sea-waves. As it grew darker and, over the noise of happy people walking about in the cool evening, a distant band played music, his mother would lean over and kiss him good night. He would be loath to let her go, and just as she was closing the door quietly he would call her back and whisper 'One more kiss,' and because that good-night kiss was the most enchanting moment in his day, he would whisper as he held her to him very close, 'Only one more, but much, much, much the longest kiss in all the world.'

They were indeed two very wonderful months. In the morning Michael would sit beside his mother at breakfast, and for a great treat he would be given the segment she so cleverly cut off from the tip of her egg. And for another treat, he would be allowed to turn the finished egg upside down and present it to her as a second untouched, for which she would be very grateful and by whose sudden collapse before the tapping of the spoon, she would be just as tremendously surprized. After the egg would always come two delicious triangles of toast, each balancing a single strawberry from the pot of strawberry jam. After breakfast, Michael would walk round the heap of clinkers in the middle of the parched seaside garden while his mother read her letters, and very soon they would set out together to the beach, where in time they would meet Nurse and Stella with the perambulator and the camp-stools and the bag of greengages or William-pears. Sand castles were made and boats were sailed or rather were floated upside down in pools, and just as the morning was getting too good to last, they would have to go home to dinner, joining on to the procession of people returning up the cliffs. Michael would be armed with a spade, a boat with very wet sails, and sometimes with a pail full of sea-water and diminutive fish that died one by one in the course of the afternoon heat. After dinner Mrs. Fane would lie down for a while, and Michael would lie down for a great treat beside her and keep breathless and still, watching the shadows of light made by the bellying of the blind in the breeze. Bluebottles would drone, and once to his bodeful apprehension a large spider migrated to another corner of the ceiling. But he managed to restrain himself from waking his mother.

One afternoon Michael was astonished to see on the round table by the bed the large photograph in a silver frame of a man in knee-breeches with a sword—a prince evidently by his splendid dress and handsome face. He speculated during his mother's sleep upon this portrait, and the moment Annie had left the cup of tea which she brought in to wake his mother Michael asked who the man was.

"A friend of mine," said Mrs. Fane.

"A prince?"

"No, not a prince."

"He looks like a prince," said Michael sceptically.

"Does he, darling?"

"I think he does look like a prince. Is he good?"

"Very good."

"What's wrote on it?" Michael asked. "Oh, mother, when will I read writing?"

"When you're older."

"I wish I was older now. I want to read writing. What's wrote on it?"

"Always," his mother told him.

"Always?"

"Yes."

"Always what? Always good?"

"No, just plain 'always,'" said Mrs. Fane.

"What a funny writing. Who wrote it?"

"The man in the picture."

"Why?"

"To please mother."

"Shall I write 'always' when I can write?" he asked.

"Of course, darling."

"But what is that man for?"

"He's an old friend of mother's."

"I like him," said Michael confidently.

"Do you, darling?" said his mother, and then suddenly she kissed him.

That evening when Michael's prayers were concluded and he was lying very still in his bed, he waited for his mother's tale.

"Once upon a time," she began, "there was a very large and enormous forest——"

"No, don't tell about a forest," Michael interrupted. "Tell about that man in the picture."

Mrs. Fane was staring out of the window, and after a moment's hesitation she turned round.

"Because there are fairy-tales without a prince," said Michael apologetically.

"Well, once upon a time," said his mother, "there lived in an old old country house three sisters whose mother had died when they were quite small."

"Why did she die?"

"She was ill."

Michael sighed sympathetically.

"These three sisters," his mother went on, "lived with their father, an old clergyman."

"Was he kind to them?"

"According to his own ideas he was very kind. But the youngest sister always wanted to have her own way and one day when she was feeling very cross because her father had told her she was to go and stay with an aunt, who should come riding along a lane but——"

"That man," interrupted Michael, greatly excited.

"A rider on horseback. And he said good morning, and she said good morning, though she had no business to."

"Why hadn't she?"

"Because it isn't right for girls to speak to riders on horseback without being introduced. But the rider was very handsome and brave and after that they met very often, and then one day he said, 'Won't you ride away with me?' and she rode away with him and never saw her father or