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قراءة كتاب Great Musical Composers: German, French, and Italian

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Great Musical Composers: German, French, and Italian

Great Musical Composers: German, French, and Italian

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دار النشر: Project Gutenberg
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GREAT MUSICAL
COMPOSERS

GERMAN, FRENCH, AND ITALIAN

By GEORGE T. FERRIS

EDITED, WITH AN INTRODUCTION

BY

MRS. WILLIAM SHARP

LONDON
WALTER SCOTT, 24 WARWICK LANE
PATERNOSTER ROW
1887


CONTENTS.

  PAGE
Introduction vii
Bach 1
Handel 7
Gluck 36
Haydn 46
Mozart 59
Beethoven 70
Schubert and Schumann 87
Chopin 103
Weber 115
Mendelssohn 124
Wagner 131
Palestrina 147
Piccini, Paisiello, and Cimarosa 154
Rossini 175
Donizetti and Bellini 200
Verdi 213
Cherubini and his Predecessors 226
Méhul, Spontini, and Halévy 260
Boïeldieu and Auber 273
Meyerbeer 281
Gounod 297
Berlioz 310
Appendix: Chronological Table 335


Decoration

Introduction.

THE following biographical sketches were originally published in America by Mr. George T. Ferris, in two volumes, separately entitled The Great German Composers and The Great Italian and French Composers. They have achieved the success they deserved: for while we have whole libraries of books upon the history and technicalities of music in general, upon musical theories and schools, and upon the exponents thereof in their artistic capacity, there has been a distinct dearth of treatises dealing in a brief and popular fashion with the lives of eminent composers themselves. Now, when music is “mastered and murdered” in almost every house throughout the length and breadth of the land, there can be no doubt that compilations of this kind must be welcome to a very large number—we will not say of musical students, but of lovers of music. There are, it would be needless to attempt to prove, great numbers of the music-loving public, who practically have no facilities towards making acquaintance with the leading facts in the lives of those men whose compositions they have such a genuine delight in rendering: to these mainly is such a book as Great Composers addressed. But, indeed, to every one interested in music and musicians the volume can hardly fail to be of interest. In his preface to The Great Italian and French Composers, Mr. Ferris explained that—as was very

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