every inch a man, with dark, curling, short-cut hair, brown cheek and Roman chin, trimmed moustache, brown eye, shaded by long eyelashes and well-marked brows; every inch a natural king of men. That very physical preponderance and animal beauty was perhaps his bane, for his comrades were so many, and his love adventures so innumerable, that they left him no time for serious ambition.

"Between the brothers there was the strangest mixture of affection and repulsion. The elder smiled at the excitement and energy of the younger; the younger openly despised the studious habits and solitary life of the elder. In time of real trouble and difficulty they would have been drawn together; as it was, there was little communion; the one went his way, and the other his. There was perhaps rather an inclination to detract from each other's achievements than to praise them, a species of jealousy or envy without personal dislike, if that can be understood. They were good friends, and yet kept apart.

"Oliver made friends of all, and thwacked and banged his enemies into respectful silence. Felix made friends of none, and was equally despised by nominal friends and actual enemies. Oliver was open and jovial; Felix reserved and contemptuous, or sarcastic in manner. His slender frame, too tall for his width, was against him; he could neither lift the weights nor undergo the muscular strain readily borne by Oliver. It was easy to see that Felix, although nominally the eldest, had not yet reached his full development. A light complexion, fair hair and eyes, were also against him; where Oliver made conquests, Felix was unregarded. He laughed, but perhaps his secret pride was hurt."

After his return from Sydenham the boy, as I have said, went to school for a year or two at Swindon. Then he presently began to read. He had always delighted in books, especially in illustrated books; now he began to read everything that he could get.

The boy who reads everything, the boy who takes out his younger brothers and his cousins and makes them all pretend as he pleases, see what he orders them to see, and shudder at his bidding and at the creatures of his own imagination—what sort of future is in store for that boy? And think of what his life might have become had he been forced into clerkery or into trade: how crippled, miserable, and cramped! It is indeed miserable to think of the thousands designed for a life of art, of letters, of open air, or of science, wasted and thrown away in labouring at the useless desk or the hateful counter.

This boy therefore read everything. Presently, when he had read all that there was at Coate, and all that his grandfather had to lend him, he began to borrow of everybody and to buy. It is perfectly wonderful, as everybody knows, how a boy who never seems to get any money manages to buy books. The fact is that all boys get money, but the boy who wants books saves his pennies. For twopence you can very often pick up a book that you want; for sixpence you can have a choice; a shilling will tempt a second-hand bookseller to part with what seems a really valuable book; half-a-crown—but such a boy never even sees a half-crown piece. Richard Jefferies differed in one respect from most boys who read everything. They live in the world of books; the outer world does not exist for them; the birds sing, the lambs spring, the flowers blossom, but they heed them not; they grow short-sighted over the small print; they become more and more enamoured of phrase, captivated by words, charmed by style, so that they forget the things around them. When they go abroad they enact the fable of "Eyes and No Eyes," playing the less desirable part. Jefferies, on the other hand, was preserved from this danger. His father, the reserved and meditative man, took him into the fields and turned over page after page with him of the book of Nature, expounding, teaching, showing him how to use his eyes, and continually reading to him out of that great book.

So a strange thing came to pass. Most of us who go away from our native place forget it, or we only remember it from time to time; the memory grows dim; when we go back we are astonished to find how much we have forgotten, and how distorted are the memories which remain. Richard Jefferies, however, who presently left Coate, never forgot the old place. It remained with him—every tree, every field, every hill, every patch of wild thyme—all through his life, clear and distinct, as if he had left it but an hour before. In almost everything he wrote Coate is in his mind. Even in his book of "Wild Life Round London" the reader thinks sometimes that he is on the wild Wiltshire Downs, while the wind whistles in his ears, and the lark is singing in the sky, and far, far away the sheep-bells tinkle.

Why, in the very last paper which he ever wrote—it appeared in Longman's Magazine two months after his death—his memory goes back to the hamlet where he was born. He recalls the cottage where John Brown lived—you can see it still, close to Coate—as well as that where Job lived who kept the shop and was always buying and selling; and of the water-bailiff who looked after the great pond:

"There were one or two old boats, and he used to leave the oars leaning against a wall at the side of the house. These oars looked like fragments of a wreck, broken and irregular. The right-hand scull was heavy as if made of ironwood, the blade broad and spoon-shaped, so as to have a most powerful grip of the water. The left-hand scull was light and slender, with a narrow blade like a marrow-scoop; so when you had the punt, you had to pull very hard with your left hand and gently with the right to get the forces equal. The punt had a list of its own, and no matter how you rowed, it would still make leeway. Those who did not know its character were perpetually trying to get this crooked wake straight, and consequently went round and round exactly like the whirligig beetle. Those who knew used to let the leeway proceed a good way and then alter it, so as to act in the other direction like an elongated zigzag. These sculls the old fellow would bring you as if they were great treasures, and watch you off in the punt as if he was parting with his dearest. At that date it was no little matter to coax him round to unchain his vessel. You had to take an interest in the garden, in the baits, and the weather, and be very humble; then perhaps he would tell you he did not want it for the trimmers, or the withy, or the flags, and you might have it for an hour as far as he could see; 'did not think my lord's steward would come over that morning; of course, if he did you must come in,' and so on; and if the stars were propitious, by-the-bye, the punt was got afloat."

Then the writer—he was a dying man—sings his song of lament because the past is past—and dead. All that is past, and that we shall never see again, is dead. The brook that used to leap and run and chatter—it is dead. The trees that used to put on new leaves every spring—they are dead. All is dead and swept away, hamlet and cottage, hillside and coppice, field and hedge.

"I think I have heard that the oaks are down. They may be standing or down, it matters nothing to me; the leaves I last saw upon them are gone for evermore, nor shall I ever see them come there again ruddy in spring. I would not see them again even if I could; they could never look again as they used to do. There are too many memories there. The happiest days become the saddest afterwards; let us never go back, lest we too die. There are no such