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قراءة كتاب Edinburgh: Picturesque Notes

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Edinburgh: Picturesque Notes

Edinburgh: Picturesque Notes

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دار النشر: Project Gutenberg
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admired disorder; while, above all, the brute mass of the Castle and the summit of Arthur’s Seat look down upon these imitations with a becoming dignity, as the works of Nature may look down the monuments of Art.  But Nature is a more indiscriminate patroness than we imagine, and in no way frightened of a strong effect.  The birds roost as willingly among the Corinthian capitals as in the crannies of the crag; the same atmosphere and daylight clothe the eternal rock and yesterday’s imitation portico; and as the soft northern sunshine throws out everything into a glorified distinctness—or easterly mists, coming up with the blue evening, fuse all these incongruous features into one, and the lamps begin to glitter along the street, and faint lights to burn in the high windows across the valley—the feeling grows upon you that this also is a piece of nature in the most intimate sense; that this profusion of eccentricities, this dream in masonry and living rock, is not a drop-scene in a theatre, but a city in the world of every-day reality, connected by railway and telegraph-wire with all the capitals of Europe, and inhabited by citizens of the familiar type, who keep ledgers, and attend church, and have sold their immortal portion to a daily paper.  By all the canons of romance, the place demands to be half deserted and leaning towards decay; birds we might admit in profusion, the play of the sun and winds, and a few gipsies encamped in the chief thoroughfare; but these citizens with their cabs and tramways, their trains and posters, are altogether out of key.  Chartered tourists, they make free with historic localities, and rear their young among the most picturesque sites with a grand human indifference.  To see them thronging by, in their neat clothes and conscious moral rectitude, and with a little air of possession that verges on the absurd, is not the least striking feature of the place. [10]

And the story of the town is as eccentric as its appearance.  For centuries it was a capital thatched with heather, and more than once, in the evil days of English invasion, it has gone up in flame to heaven, a beacon to ships at sea.  It was the jousting-ground of jealous nobles, not only on Greenside, or by the King’s Stables, where set tournaments were fought to the sound of trumpets and under the authority of the royal presence, but in every alley where there was room to cross swords, and in the main street, where popular tumult under the Blue Blanket alternated with the brawls of outlandish clansmen and retainers.  Down in the palace John Knox reproved his queen in the accents of modern democracy.  In the town, in one of those little shops plastered like so many swallows’ nests among the buttresses of the old Cathedral, that familiar autocrat, James VI., would gladly share a bottle of wine with George Heriot the goldsmith.  Up on the Pentland Hills, that so quietly look down on the Castle with the city lying in waves around it, those mad and dismal fanatics, the Sweet Singers, haggard from long exposure on the moors, sat day and night with ‘tearful psalmns’ to see Edinburgh consumed with fire from heaven, like another Sodom or Gomorrah.  There, in the Grass-market, stiff-necked, covenanting heroes, offered up the often unnecessary, but not less honourable, sacrifice of their lives, and bade eloquent farewell to sun, moon, and stars, and earthly friendships, or died silent to the roll of drums.  Down by yon outlet rode Grahame of Claverhouse and his thirty dragoons, with the town beating to arms behind their horses’ tails—a sorry handful thus riding for their lives, but with a man at the head who was to return in a different temper, make a dash that staggered Scotland to the heart, and die happily in the thick of fight.  There Aikenhead was hanged for a piece of boyish incredulity; there, a few years afterwards, David Hume ruined Philosophy and Faith, an undisturbed and well-reputed citizen; and thither, in yet a few years more, Burns came from the plough-tail, as to an academy of gilt unbelief and artificial letters.  There, when the great exodus was made across the valley, and the New Town began to spread abroad its draughty parallelograms, and rear its long frontage on the opposing hill, there was such a flitting, such a change of domicile and dweller, as was never excelled in the history of cities: the cobbler succeeded the earl; the beggar ensconced himself by the judge’s chimney; what had been a palace was used as a pauper refuge; and great mansions were so parcelled out among the least and lowest in society, that the hearthstone of the old proprietor was thought large enough to be partitioned off into a bedroom by the new.

CHAPTER II. OLD TOWN—THE LANDS.

The Old Town, it is pretended, is the chief characteristic, and, from a picturesque point of view, the liver-wing of Edinburgh.  It is one of the most common forms of depreciation to throw cold water on the whole by adroit over-commendation of a part, since everything worth judging, whether it be a man, a work of art, or only a fine city, must be judged upon its merits as a whole.  The Old Town depends for much of its effect on the new quarters that lie around it, on the sufficiency of its situation, and on the hills that back it up.  If you were to set it somewhere else by itself, it would look remarkably like Stirling in a bolder and loftier edition.  The point is to see this embellished Stirling planted in the midst of a large, active, and fantastic modern city; for there the two re-act in a picturesque sense, and the one is the making of the other.

The Old Town occupies a sloping ridge or tail of diluvial matter, protected, in some subsidence of the waters, by the Castle cliffs which fortify it to the west.  On the one side of it and the other the new towns of the south and of the north occupy their lower, broader, and more gentle hill-tops.  Thus, the quarter of the Castle over-tops the whole city and keeps an open view to sea and land.  It dominates for miles on every side; and people on the decks of ships, or ploughing in quiet country places over in Fife, can see the banner on the Castle battlements, and the smoke of the Old Town blowing abroad over the subjacent country.  A city that is set upon a hill.  It was, I suppose, from this distant aspect that she got her nickname of Auld Reekie.  Perhaps it was given her by people who had never crossed her doors: day after day, from their various rustic Pisgahs, they had seen the pile of building on the hill-top, and the long plume of smoke over the plain; so it appeared to them; so it had appeared to their fathers tilling the same field; and as that was all they knew of the place, it could be all expressed in these two words.

Cowfeeder Row and Head of West Port

Indeed, even on a nearer view, the Old Town is properly smoked; and though it is well washed with rain all the year round, it has a grim and sooty aspect among its younger suburbs.  It grew, under the law that regulates the growth of walled cities in precarious situations, not in extent, but in height and density.  Public buildings were forced, wherever there was room for them, into the midst of thoroughfares; thorough—fares were diminished into lanes; houses sprang up story after story, neighbour mounting upon neighbour’s shoulder, as in some Black Hole of Calcutta, until the population slept fourteen or fifteen deep in a vertical direction.  The tallest of these lands, as they are locally termed, have long since been burnt out; but to this day it is not uncommon to see eight or ten windows at a flight; and the cliff of building which hangs imminent over

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