Horace could not wish to offend the Jews?" but we realize that this scruple was dramatic. Fuscus is said to have been a writer of comedies.[27]

The childhood of a pagan

But the jest of Fuscus was the earnest of many. If men were conscious of decay in the sanction which religion had once given to morality, there was still a great deal of vague religious feeling among the uneducated and partially educated classes. Again and again we read complaints of the folly of grandmothers and nurses, and it was from them that the first impressions of childhood came. Four centuries later than the period now under discussion it was still the same. "When once vain superstition obsessed the heathen hearts of our fathers, unchecked was its course through a thousand generations. The tender hope of the house shuddered, and worshipped whatever venerable thing his hoary grandsires showed him. Infancy drank in error with its mother's milk. Amid his cries the sacred meal was put between the baby's lips. He saw the wax dripping upon the stones, the black Lares trickling with unguent. A little child he saw the image of Fortune with her horn of wealth, and the sacred stone that stood by the house, and his mother pale at her prayers before it. Soon himself too, raised high on his nurse's shoulders, he pressed his lips to the stone, poured forth his childish prayers, and asked riches for himself from the blind rock, and was sure that, whatever one wished, that was where to ask. Never did he lift his eyes and his mind to turn to the citadel of reason, but he believed, and held to the foolish custom, honouring with blood of lambs the gods of his family. And then when he went forth from his home, how he marvelled at the public festivals, the holy days and the games, and gazed at the towering Capitol, and saw the laurelled servants of the gods at the temples while the Sacred Way echoed to the lowing of the victims." So wrote Prudentius.[28] So too wrote Tibullus—"Keep me, Lares of my fathers; for ye bred me to manhood when a tender child I played at your feet."[29]

How crowded the whole of life was with cult and ritual and usage, how full of divinities, petty, pleasing or terrible, but generally vague and ill-defined, no one will readily realize without special study, but some idea of the complexity of the Roman's divine environment can be gained from even a cursory survey of Ovid's Fasti, for example, or Tertullian's Apology, or some of the chapters of the fourth book of Augustine's City of God. "When," asks Augustine, "can I ever mention in one passage of this book all the names of gods and goddesses, which they have scarcely been able to compass in great volumes, seeing that they allot to every individual thing the special function of some divinity?" He names a few of the gods of agriculture—Segetia, Tutilina, Proserpina, Nodutus, Volutina, Patelana, Lacturnus, Matuta, etc. "I do not mention all."[30] "Satan and his angels have filled the whole world," said Tertullian.[31]

Fauns, trees, and wells

Gods of this type naturally make little figure in literature though Proserpina, in consequence of her identification with the Greek Persephone, achieved a great place and is indeed the subject of the last great poem written under the Roman Empire. But there were other gods of countryside and woodland, whom we know better in art and poetry. "Faunus lover of fugitive Nymphs" is charming enough in Horace's ode, and Fauns, Pans and Satyrs lend themselves readily to grotesque treatment in statue and gem and picture. But the country people took them seriously. Lucretius, speaking of echoes among the hills, says:—"These spots the people round about fancy that goat-footed Satyrs and nymphs inhabit; they say that they are the Fauns, whose noise and sportive play breaks the still silence of the night as they move from place to place.... They tell us that the country people far and wide full oft hear Pan, when, nodding the pine-cap on his half-bestial head, he runs over the gaping reeds with curved lip.... And of other like monsters and marvels they tell us, that they may not be thought to inhabit lonely places, abandoned even by the gods."[32] Cicero makes his Stoic say their voices are often to be heard.[33] Pliny, in his Natural History, says that certain dogs can actually see Fauns; he quotes a prescription, concocted of a dragon's tongue, eyes and gall, which the Magi recommend for those who are "harassed by gods of the night and by Fauns";[34] for they did not confine themselves to running after nymphs, but would chase human women in the dark.

Plutarch has a story of King Numa drugging a spring from which "two dæmons, Picus and Faunus," drank—"creatures who must be compared to Satyrs or Pans in some respects and in others to the Idæan Dactyli," beings of great miraculous power.[35] A countryside haunted by inhabitants of more or less than human nature, part beasts and part fairies or devils, is one thing to an unbeliever who is interested in art or folk-lore, but quite another thing to the uneducated man or woman who has heard their mysterious voices in the night solitude and has suffered in crop, or house, or herd from their ill-will.[36] What the Greek called "Panic" fears were attributed in Italy to Fauns.[37]

"Trees," says Pliny, "were temples of divinities, and in the old way the simple country folk to this day dedicate any remarkable tree to a god. Nor have we more worship for images glittering with gold and ivory than for groves and the very silence that is in them."[38] The country people hung rags and other offerings on holy trees—the hedge round the sacred grove at Aricia is specially mentioned by Ovid as thus honoured.[