features. He wouldn't be lying down on his study-table? There's a great interest always felt in the scene of an author's labours. Sometimes we're favoured with very delightful peeps. Dora Forbes showed me all his table-drawers, and almost jammed my hand into one into which I made a dash! I don't ask that of you, but if we could talk things over right there where he sits I feel as if I should get the keynote.

I had no wish whatever to be rude to Mr. Morrow, I was much too initiated not to prefer the safety of other ways; but I had a quick inspiration and I entertained an insurmountable, an almost superstitious objection to his crossing the threshold of my friend's little lonely, shabby, consecrated workshop. No, no—we sha'n't get at his life that way, I said. The way to get at his life is to—But wait a moment! I broke off and went quickly into the house; then, in three minutes, I reappeared before Mr. Morrow with the two volumes of Paraday's new book. His life's here, I went on, and I'm so full of this admirable thing that I can't talk of anything else. The artist's life's his work, and this is the place to observe him. What he has to tell us he tells us with this perfection. My dear sir, the best interviewer's the best reader.

Mr. Morrow good-humouredly protested. Do you mean to say that no other source of information should be opened to us?

None other till this particular one—by far the most copious—has been quite exhausted. Have you exhausted it, my dear sir? Had you exhausted it when you came down here? It seems to me in our time almost wholly neglected, and something should surely be done to restore its ruined credit. It's the course to which the artist himself at every step, and with such pathetic confidence, refers us. This last book of Mr. Paraday's is full of revelations.

Revelations? panted Mr. Morrow, whom I had forced again into his chair.

The only kind that count. It tells you with a perfection that seems to me quite final all the author thinks, for instance, about the advent of the 'larger latitude.'

Where does it do that? asked Mr. Morrow, who had picked up the second volume and was insincerely thumbing it.

Everywhere—in the whole treatment of his case. Extract the opinion, disengage the answer—those are the real acts of homage.

Mr. Morrow, after a minute, tossed the book away. Ah, but you mustn't take me for a reviewer.

Heaven forbid I should take you for anything so dreadful! You came down to perform a little act of sympathy, and so, I may confide to you, did I. Let us perform our little act together. These pages overflow with the testimony we want: let us read them and taste them and interpret them. You will of course have perceived for yourself that one scarcely does read Neil Paraday till one reads him aloud; he gives out to the ear an extraordinary quality, and it's only when you expose it confidently to that test that you really get near his style. Take up your book again and let me listen, while you pay it out, to that wonderful fifteenth chapter. If you feel that you can't do it justice, compose yourself to attention while I produce for you—I think I can!—this scarcely less admirable ninth.

Mr. Morrow gave me a straight glance which was as hard as a blow between the eyes; he had turned rather red and a question had formed itself in his mind which reached my sense as distinctly as if he had uttered it: What sort of a damned fool are you? Then he got up, gathering together his hat and gloves, buttoning his coat, projecting hungrily all over the place the big transparency of his mask. It seemed to flare over Fleet Street and somehow made the actual spot distressingly humble: there was so little for it to feed on unless he counted the blisters of our stucco or saw his way to do something with the roses. Even the poor roses were common kinds. Presently his eyes fell upon the manuscript from which Paraday had been reading to me and which still lay on the bench. As my own followed them I saw that it looked promising, looked pregnant, as if it gently throbbed with the life the reader had given it. Mr. Morrow indulged in a nod toward it and a vague thrust of his umbrella. What's that?

Oh, it's a plan—a secret.

A secret! There was an instant's silence, and then Mr. Morrow made another movement. I may have been mistaken, but it affected me as the translated impulse of the desire to lay hands on the manuscript, and this led me to indulge in a quick anticipatory grab which may very well have seemed ungraceful, or even impertinent, and which at any rate left Mr. Paraday's two admirers very erect, glaring at each other while one of them held a bundle of papers well behind him. An instant later Mr. Morrow quitted me abruptly, as if he had really carried something away. To reassure myself, watching his broad back recede, I only grasped my manuscript the tighter. He went to the back-door of the house, the one he had come out from, but on trying the handle he appeared to find it fastened. So he passed round into the front garden, and, by listening intently enough, I could presently hear the outer gate close behind him with a bang. I thought again of the thirty-seven influential journals and wondered what would be his revenge. I hasten to add that he was magnanimous: which was just the most dreadful thing he could have been. The Tatler published a charming, chatty, familiar account of Mr. Paraday's Home-life, and on the wings of the thirty-seven influential journals it went, to use Mr. Morrow's own expression, right round the globe.

VI

A week later, early in May, my glorified friend came up to town, where, it may be veraciously recorded, he was the king of the beasts of the year. No advancement was ever more rapid, no exaltation more complete, no bewilderment more teachable. His book sold but moderately, though the article in The Empire had done unwonted wonders for it; but he circulated in person in a manner that the libraries might well have envied. His formula had been found—he was a revelation. His momentary terror had been real, just as mine had been—the overclouding of his passionate desire to be left to finish his work. He was far from unsociable, but he had the finest conception of being let alone that I have ever met. For the time, however, he took his profit where it seemed most to crowd upon him, having in his pocket the portable sophistries about the nature of the artist's task. Observation too was a kind of work and experience a kind of success; London dinners were all material and London ladies were fruitful toil. No one has the faintest conception of what I'm trying for, he said to me, and not many have read three pages that I've written; but they're all enthusiastic, enchanted, devoted. He found himself in truth equally amused and fatigued; but the fatigue had the merit of being a new sort, and the phantasmagoric town was perhaps after all less of a battlefield than the haunted study. He once told me that he had had no personal life to speak of since his fortieth year, but had had more than was good for him before. London closed the parenthesis and exhibited him in relations; one of the most inevitable of these being that in which he found himself to Mrs. Weeks Wimbush, wife of the boundless brewer and proprietress of the universal menagerie. In this establishment, as everybody knows, on occasions when the crush is great, the animals rub shoulders freely with the spectators and the lions sit down for whole evenings with the lambs.

It had been ominously clear to me from the first that in Neil Paraday this lady, who, as all the world agreed, was tremendous fun,