قراءة كتاب The Unmasking of Robert-Houdin

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The Unmasking of Robert-Houdin

The Unmasking of Robert-Houdin

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دار النشر: Project Gutenberg
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THE UNMASKING

OF

ROBERT-HOUDIN

BY

HARRY HOUDINI




NEW YORK
THE PUBLISHERS PRINTING CO.
1908

 

Copyright, 1906
Copyright, 1907
Copyright, 1908
By HARRY HOUDINI
———
Entered at Stationer’s Hall, London, England
All rights reserved

Composition, Electrotyping and Printing by
The Publishers Printing Company
New York, N.Y., U.S.A.

 

Dedication

This Book is affectionately dedicated to the memory of
my father,
Rev. M. S. Weiss, Ph.D., LL.D.,
who instilled in me love of study and patience in research

 

CONTENTS

PAGE
Introduction,   7
CHAPTER    
I. Significant Events in the Life of Robert-Houdin, 33
II. The Orange-tree Trick, 51
III. The Writing and Drawing Figure, 83
IV. The Pastry Cook of the Palais Royal, 116
V. The Obedient Cards—The Cabalistic Clock—The Trapeze Automaton, 141
VI. The Inexhaustible Bottle, 176
VII. Second Sight, 200
VIII. The Suspension Trick, 222
IX. The Disappearing Handkerchief, 245
X. Robert-Houdin’s Ignorance of Magic as Betrayed by His Own Pen, 264
XI. The Narrowness of Robert-Houdin’s Memoirs," 295

 

INTRODUCTION

THIS book is the natural result of the moulding, dominating influence which the spirit and writings of Robert-Houdin have exerted over my professional career. My interest in conjuring and magic and my enthusiasm for Robert-Houdin came into existence simultaneously. From the moment that I began to study the art, he became my guide and hero. I accepted his writings as my text-book and my gospel. What Blackstone is to the struggling lawyer, Hardee’s “Tactics” to the would-be officer, or Bismarck’s life and writings to the coming statesman, Robert-Houdin’s books were to me.

To my unsophisticated mind, his “Memoirs” gave to the profession a dignity worth attaining at the cost of earnest, life-long effort. When it became necessary for me to take a stage-name, and a fellow-player, possessing a veneer of culture, told me that if I would add the letter “i” to Houdin’s name, it would mean, in the French language, “like Houdin,” I adopted the suggestion with enthusiasm. I asked nothing more of life than to become in my profession “like Robert-Houdin.”

By this time I had re-read his works until I could recite passage after passage from memory. Then, when Fate turned kind and the golden pathway of success led me into broader avenues of work, I determined that my first tour abroad should be dedicated to adding new laurels to the fame of Robert-Houdin. By

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