be hasty. Pauline didn’t mean——”

“What!” and Lucy Carrington turned on her, “you take her part? Then you go, too! I want no ingrates here. Leave me, both of you. This night is your last beneath this roof! You are two unworthy girls, to scorn and slight the hand that has fed and clothed you and given you luxury and comfort such as you will never see again! Go, I’ve done with you! Send me Estelle. She, at least, has some small affection for me.”

The two girls left the room. The scene was not without precedent. Before this they had been ordered to leave the house forever, but always forgiveness and reinstatement had followed. This time, however, the Lady Lucy had been rather more in earnest, and the girls looked at each other uncertainly as they turned toward their rooms.

Anita summoned Estelle, the French maid, and then told her to hasten immediately to Miss Carrington.

“Don’t undress me,” said the mistress as the maid appeared; “I’m not retiring at once. Get me out of this gown and give me a negligée and slippers.”

“Yes, mademoiselle,” and Estelle deftly obeyed orders and brought a white boudoir gown edged with swans-down.

“Not that!” cried Miss Carrington. “Bring the gold-embroidered one,—the Oriental.”

“Ah, the green one, from Monsieur Loria?”

“Yes, the one my nephew sent me at Christmas time. My, but it’s handsome, isn’t it, Estelle?”

“Gorgeous!” declared the maid, and she spoke truly. Young Loria knew his aunt’s taste, and he had sent her a typical Egyptian robe, of pale green silk, heavy with gold embroideries. In it Miss Carrington looked like one attired for a masquerade.

“Shall I take down mademoiselle’s hair?” asked Estelle, lingering.

“No. I want to be alone. I will read awhile. You need not return. I will do for myself.”

“There is your glass of milk, ma’mzelle, on the bed-table.”

“Silly! I suppose I can see it for myself.”

“Yes, ma’am. And you will have your tea at eight in the morning?”

“Of course, my tea at eight. As always. You might remember that much yourself. But nobody remembers things for my comfort.”

“Pardon, but sometimes it is eight, and, again, it must be half-past.”

“Eight! Now, will you go? You are most exasperating! Why do you stand there like a gibbering idiot?”

“The jewels, mademoiselle; the pearls? Shall I not put them in safety?”

“No! I will put them in the safe myself. Where is the key?”

“There, mademoiselle, on your dresser. But if I might——”

“You mayn’t do anything except to get out and stay out! Do you hear? Shall I never be obeyed?”

“Yes, mademoiselle; good-night.”

The soft tone was fully belied by the evil glare of the French girl’s eyes, but that was not seen by Miss Lucy Carrington.

III
THE TRAGEDY

The house faced the east, and, built on an English model, was far wider than deep. A broad hall ran through the centre from front to back, and on either side there were successive rooms whose windows looked out on equally beautiful scenes, both front and back. On the right of the hall, as one entered, was the long living room, and beyond it, the library and music room. The other side of the hall was a reception room, opening into the sun parlor, and on to the conservatory, and back of these, the dining room and smaller breakfast room.

Breakfast was served at nine, and the members of the family were usually all present. Miss Carrington, herself, made a point of being on time partly from habit, and also because it gave her opportunity to chide those who were late.

When she was not in her place, on the morning after the stormy bridge game, Pauline expressed surprise, and Haviland echoed her words.

But Anita said scornfully, “She went to bed in an awful tantrum and probably didn’t sleep well.”

Miss Frayne was looking her prettiest, and her roseleaf face with its fluffy golden halo, was like a Greuze picture. She wore a frivolous little house gown of blue crêpe de chine that just matched her forget-me-not eyes. Not especially appropriate garb for a secretary, but Miss Carrington preferred her household to be well-dressed, and really commanded pretty tints and fabrics for the two girls. Pauline was in white serge, of rather severe cut, but which suited her as no frills and flounces could. Her black hair was smoothly parted and coiled low over her ears, and her clear ivory-tinted skin was flushed faintly pink from the glow of the big, crackling wood fire.

“It’s most unusual,” went on Pauline, after a few moments more had passed, and the Lady Lucy had not appeared. “I’m going up to see if she is ill,—or——”

“Or merely in a tantrum extraordinary!” said Anita, her blue eyes full of laughing disrespect for her employer.

“’Nita,” said Haviland, as Pauline disappeared, “hold your breakfast napkin up in front of your face, quick!”

“Why?” said the girl, wonderingly, as she did his bidding.

“Because, if you hadn’t, I should have flown at you and kissed you! And I mustn’t now, for Haskins is approaching with muffins.”

Down came the shielding napkin and only the arrival of the muffin-laden Haskins saved the lovely laughing face from Haviland’s impetuous caress.

The old butler fussed about, and several minutes passed, when Pauline called from above stairs, “Gray! Come here, at once!”

“Desperate case!” and Haviland rose, and unhurriedly left the room, pinching Anita’s little ear as he passed her.

Another moment and Miss Frayne heard an exclamation from Haviland that made her rise from the table and go flying upstairs herself.

The door of Miss Lucy’s boudoir was open, and entering, she saw Pauline and Haviland with horror-stricken faces, gazing at a terrible sight.

Miss Lucy Carrington, seated before her dressing-table, her face white and ghastly, her large eyes staring wide—staring horribly,—but, without doubt, unseeing. Nor was this all of the strangeness of the sight. She was robed in an embroidered Oriental-looking gown, and wore many jewels. Her red-dyed hair, dressed elaborately, as she had worn it the night before, was still crowned with the enormous comb of carved tortoise-shell, but the comb was broken to bits. One portion, still standing upright, rose above the disordered coiffure, but the rest, in broken scraps, lay scattered over the puffs of hair,—over the white hands clasped in her lap,—and on the floor at her feet.

“What does it mean?” whispered Anita, shuddering, “is she—is she dead?”

“Yes,” answered Haviland, briefly. He stood, hands in pockets, gazing at the startling figure.

“Who?—What?——” Anita’s eyes riveted themselves on something else.

Around the neck of Miss Lucy was,—yes, it was—a snake!

With a low scream, Anita flung herself into Haviland’s arms, but he put her gently away from him.

Aghast at this repulse, Anita put her hand across her eyes and turned to leave the room.

“Mind where you go, ’Nita!” called out Haviland, and the girl stopped just in time to save herself from stepping into a mass of débris.

“Why!” she cried, “why, it’s Miss Lucy’s tray!”

It was. The silver tray that had held the breakfast tea was on the floor, and near it a jumbled heap of silver and broken china that had once been a costly Sevres set. Dainty white serviettes were stained