analogy. Universal practice is generally, perhaps always, a rule of propriety; and in disputed points, where people differ in opinion and practice, analogy should always decide the controversy.

These are authorities to which all men will submit—they are superior to the opinions and caprices of the great, and to the negligence and ignorance of the multitude. The authority of individuals is always liable to be called in question—but the unanimous consent of a nation, and a fixed principle interwoven with the very construction of a language, coeval and coextensive with it, are like the common laws of a land, or the immutable rules of morality, the propriety of which every man, however refractory, is forced to acknowlege, and to which most men will readily submit. Fashion is usually the child of caprice and the being of a day; principles of propriety are founded in the very nature of things, and remain unmoved and unchanged, amidst all the fluctuations of human affairs and the revolutions of time.

It must be confessed that languages are changing, from age to age, in proportion to improvements in science. Words, as Horace observes, are like leaves of trees; the old ones are dropping off and new ones growing. These changes are the necessary consequence of changes in customs, the introduction of new arts, and new ideas in the sciences. Still the body of a language and its general rules remain for ages the same, and the new words usually conform to these rules; otherwise they stand as exceptions, which are not to overthrow the principle of analogy already established.

But when a language has arrived at a certain stage of improvement, it must be stationary or become retrograde; for improvements in science either cease, or become slow and too inconsiderable to affect materially the tone of a language. This stage of improvement is the period when a nation abounds with writers of the first class, both for abilities and taste. This period in England commenced with the age of Queen Elizabeth and ended with the reign of George II. It would have been fortunate for the language, had the stile of writing and the pronunciation of words been fixed, as they stood in the reign of Queen Anne and her successor. Few improvements have been made since that time; but innumerable corruptions in pronunciation have been introduced by Garrick, and in stile, by Johnson, Gibbon and their imitators.[4]

The great Sidney wrote in a pure stile; yet the best models of purity and elegance, are the works of Sir William Temple, Dr. Middleton, Lord Bolingbroke, Mr. Addison and Dean Swift. But a little inferior to these, are the writings of Mr. Pope, Sir Richard Steele, Dr. Arbuthnot, with some of their cotemporaries. Sir William Blackstone has given the law stile all the elegance and precision of which it is capable. Dr. Price and Dr. Priestley write with purity, and Sir William Jones seems to have copied the ease, simplicity and elegance of Middleton and Addison.

But how few of the modern writers have pursued the same manner of writing? Johnson's stile is a mixture of Latin and English; an intolerable composition of Latinity, affected smoothness, scholastic accuracy and roundness of periods. The benefits derived from his morality and his erudition, will hardly counterbalance the mischief done by his manner of writing. The names of a Robertson, a Hume, a Home and a Blair, almost silence criticism; but I must repeat what a very learned Scotch gentleman once acknowleged to me, "that the Scotch writers are not models of the pure English stile." Their stile is generally stiff, sometimes very awkward, and not always correct.[5] Robertson labors his stile and sometimes introduces a word merely for the sake of rounding a period. Hume has borrowed French idioms without number; in other respects he has given an excellent model of historical stile. Lord Kaims' manner is stiff; and Dr Blair, whose stile is less exceptionable in these particulars, has however introduced, into his writings, several foreign idioms and ungrammatical phrases. The Scotch writers now stand almost the first for erudition; but perhaps no man can write a foreign language with genuin purity.

Gibbon's harmony of prose is calculated to delight our ears; but it is difficult to comprehend his meaning and the chain of his ideas, as fast as we naturally read; and almost impossible to recollect them, at any subsequent period. Perspicuity, the first requisite in stile, is sometimes sacrificed to melody; the mind of a reader is constantly dazzled by a glare of ornament, or charmed from the subject by the music of the language. As he is one of the first, it is hoped he may be the last, to attempt the gratification of our ears, at the expense of our understanding.

Such however is the taste of the age; simplicity of stile is neglected for ornament, and sense is sacrificed to sound.[6]

Altho stile, or the choice of words and manner of arranging them, may be necessarily liable to change, yet it does not follow that pronunciation and orthography cannot be rendered in a great measure permanent. An orthography, in which there would be a perfect correspondence between the spelling and pronunciation, would go very far towards effecting this desireable object. The Greek language suffered little or no change in these particulars, for about a thousand years; and the Roman was in a great degree fixed for several centuries.

Rapid changes of language proceed from violent causes; but these causes cannot be supposed to exist in North America. It is contrary to all rational calculation, that the United States will ever be conquered by any one nation, speaking a different language from that of the country. Removed from the danger of corruption by conquest, our language can change only with the slow operation of the causes before-mentioned and the progress of arts and sciences, unless the folly of imitating our parent country should continue to govern us, and lead us into endless innovation. This folly however will lose its influence gradually, as our particular habits of respect for that country shall wear away, and our amor patriæ acquire strength and inspire us with a suitable respect for our own national character.

We have therefore the fairest opportunity of establishing a national language, and of giving it uniformity and perspicuity, in North America, that ever presented itself to mankind. Now is the time to begin the plan. The minds of the Americans are roused by the events of a revolution; the necessity of organizing the political body and of forming constitutions of government that shall secure freedom and property, has called all the faculties of the mind into exertion; and the danger of losing the benefits of independence, has disposed every man to embrace any scheme that shall tend, in its future operation, to reconcile the people of America to each other, and weaken the prejudices which oppose a cordial union.

My design, in these dissertations, is critically to investigate