قراءة كتاب Verdi: Man and Musician His Biography with Especial Reference to His English Experiences
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Verdi: Man and Musician His Biography with Especial Reference to His English Experiences
The Project Gutenberg eBook, Verdi: Man and Musician, by Frederick James Crowest
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Title: Verdi: Man and Musician
His Biography with Especial Reference to His English Experiences
Author: Frederick James Crowest
Release Date: July 17, 2014 [eBook #46316]
Language: English
Character set encoding: ISO-8859-1
***START OF THE PROJECT GUTENBERG EBOOK VERDI: MAN AND MUSICIAN***
E-text prepared by David Tipple
and the Online Distributed Proofreading Team
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from page images generously made available by
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Note: | Images of the original pages are available through Internet Archive/American Libraries. See https://archive.org/details/verdimanmusician00crow |
Transcriber's Note
There are 5 illustrations, placed where they appear in the book. A list of these illustrations with a link to each of them can be found below the table of contents.
There are many footnotes, numbered consecutively from 1 to 83; each of them is placed at the end of the chapter where it is referenced.
VERDI:
man and musician
BY THE SAME AUTHOR. |
"THE STORY OF BRITISH MUSIC." |
"CHERUBINI" ("GREAT MUSICIANS" SERIES). |
"PHASES OF MUSICAL ENGLAND." |
"ADVICE TO SINGERS." (12th Thousand.) |
Etc. Etc. |
VERDI:
Man and Musician
His Biography with Especial
Reference to his English
Experiences
By
Frederick J. Crowest
Author of
"The Great Tone Poets," etc.
john milne
12 norfolk street, strand
london
mdcccxcvii
To
MADAME ADELINA PATTI NICOLINI
EMPRESS OF SONG
Whose Transcendent Vocal and Histrionic Powers
HAVE
Contributed so largely to an adequate appreciation
of the genius of
VERDI
This Monograph of the Master is
by Expressed Permission
DEDICATED
CONTENTS
BIRTH, PARENTAGE, AND CHILD-LIFE
Verdi's birth and birth-place—Dispute as to his township—Baptismal certificate—His parentage—The parents' circumstances—The osteria kept by them—A regular market-man—A mixed business—Verdi's early surroundings and influences—Verdi not a musical wonder or show-child—His natural child-life—Enchanted with street organ—Quiet manner as a child—Acolyte at Roncole Church—Enraptured with the organ music—Is bought a spinet—Practises incessantly—Gratuitous spinet repairs—To school at Busseto—Slender board and curriculum—First musical instruction—An apt pupil
CLERK, STUDENT, AND PROFESSOR
Verdi goes into the world—Office-boy in Barezzi's establishment—Congenial surroundings—An exceptional employer—Verdi becomes a pupil of Provesi—A painstaking copyist—Verdi wanted for a priest—Latin elements—Appointed organist of Roncole—A record salary—Barezzi's encouragement of Verdi's tastes—Father Seletti and Verdi's organ-playing—Provesi's status and friendship towards Verdi—Milan training for Verdi—Refused at the Conservatoire—Experience and training needed—Study under Vincenzo Lavigna of La Scala—Death of Provesi, and assumption of his Busseto duties by Verdi Page 16
COURTSHIP, MARRIAGE, AND FIRST OPERATIC SUCCESS
Verdi is engaged class="csummary"to Margarita Barezzi—His marriage—Seeks a wider field in Milan—An emergency conductor—Conductor of the Milan Philharmonic Society—His first opera, Oberto, Conte di San Bonifacio—Terms for production—Its success—A triple commission—A woman's sacrifice—Clouds—Death of his wife and children—Un Giorno di Regno produced—A failure—Verdi disgusted with music—Destroys Merelli contract—The Nabucco libretto forced on Verdi—Induced to set the book—Production of Nabucco with success—Opposition from the critics—Mr. Lumley gives Nabucco in London—Its performance and reception Page 27
SUCCESS, AND INTRODUCTION INTO ENGLAND
Verdi's position assured—Selected to compose an opera d'obbligo—The terms—I Lombardi alla Prima Crociata—Its dramatis personæ and argument—Reception at La Scala—A new triumph for Verdi—I Lombardi in London, 1846—Ernani—Political effect of Ernani—Official interference—Verdi first introduced into England—Mr. Lumley's production of Ernani at Her Majesty's Theatre—The reception of the opera—Criticism on Ernani—Athenæum and Ernani Page 49
FIRST PERIOD WORKS
I Due Foscari—Its argument—Failure of the opera in Rome, Paris, and London—Giovanna d'Arco—A moderate success—Alzira—Attila—More political enthusiasm—Attila given at Her Majesty's Theatre by Mr. Lumley—Its cool reception—The Times and Athenæum critics on Attila—Exceptional activity of Verdi—Macbeth—Jerusalem in