قراءة كتاب The Heart of the Ancient Wood

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‏اللغة: English
The Heart of the Ancient Wood

The Heart of the Ancient Wood

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دار النشر: Project Gutenberg
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light rattling of claws, and footfalls went padding delicately over the bark. This puzzled the woodsman, who wondered how the owner of those clawed and velveted feet could have reached the roof without some noise of climbing. The soft tread, with an occasional scratch and snap, moved up and down the roof several times; and once, during a pause, a deep breath, ending with a sharp sniffing sound, was heard through the thin roof. Then came a muffled thud upon the chips, as of the drop of a heavy animal.

The spell was broken, and Old Dave rose from the bunk.

“It’s jumped down off the roof! wildcat, mebbe, or lynx. No painters ’round, ’tain’t likely; though’t did sound heavy fur a cat!” said he to himself, as he strode to the door, axe in hand.

Fearlessly he threw the door open, and looked out upon the glimmering night. The forest chill was in the air, the very breath and spirit of solitude. The mists gathered thickly a stone’s throw from the cabin. He saw nothing that moved. He heard no stir. With a shrug of the shoulders he turned, latched the door again with just a trifle more exactness of precaution than before, lounged back to his bunk, and slept heedlessly till high dawn. A long finger of light, coldly rosy, came in through a broken pane to rouse him up.

When he went outside, the mists yet clung white and chill about the clearing, and all the weed tops were beaded with thick dew. He noted that the chips were disturbed somewhat, but could find no definite track. Then, following a grassy path that led, through a young growth of alder, to the spring, he found signs. Down to the spring, and beyond, into the woods, a trail was drawn that spoke plain language to his wood-wise scrutiny. The grass was bent, the dew brushed off, by a body of some bulk and going close to the ground.

“Painter!” he muttered, knitting his brows, and casting a wary glance about him. “Reckon Kirstie’d better bring a gun along!”

All that day Dave Titus worked about the cabin and the barn. He mended the roof, patched the windows, rehung the door, filled the bunk—and the two similar ones in the smaller room—with aromatic fresh green spruce tips, and worked a miracle of rejuvenation upon the barn. He also cleaned out the spring, and chopped a handy pile of firewood. An old sheep-pen behind the barn he left in its ruins, saying to himself:—

“What with the b’ars, an’ the painters, Kirstie ain’t goin’ to want to mess with sheep, I reckon. She’ll have lots to do to look after her critters!”

By “critters” he meant the cow and the yoke of steers which were Kirstie Craig’s property in the Settlement, and which, as he knew, she was to bring with her to her exile in the ancient wood.

That night, being now quite at home in the lonely cabin, and assured as to the stability of the door, Dave Titus slept dreamlessly from dark to dawn in the pleasant fragrance of his bunk. From dark to dawn the mice scurried in the loft, the bats flickered about the eaves, the unknown furry bulks leaned on the door or padded softly up and down the roof, but troubled not his rest. Then the wild folk began to take account of the fact that the sovereignty of the clearing had been resumed by man, and word of the new order went secretly about the forest. When, next morning, Dave Titus made careful survey of the clearing’s skirts, calculating what brush and poles would be needed for Kirstie’s fencing, making rough guesses at the acreage, and noting with approval the richness of the good brown soil, he thought himself alone. But he was not alone. Speculative eyes, large and small, fierce and timorous, from all the edges of the ancient wood kept watch on him.


Chapter III
The Exiles from the Settlement

Late that afternoon Kirstie Craig arrived. Her coming was a migration.

The first announcement of her approach was the dull tank, tank, a-tonk, tank of cow-bells down the trail, at sound of which Old Dave threw aside his axe and slouched away to meet her. There was heard a boy’s voice shouting with young authority, “Gee! Gee, Bright! Gee, Star!” and the head of the procession came into view in the solemn green archway of the woods.

The head of the procession was Kirstie Craig herself, a tall, erect, strong-stepping, long-limbed woman in blue-grey home-spuns, with a vivid scarlet kerchief tied over her head. She was leading, by a rope about its horns, a meekly tolerant black-and-white cow. To her left hand clung a skipping little figure in a pink calico frock, a broad-brimmed hat of coarse straw flung back from her hair and hanging by ribbons from her neck. This was the five-year-old Miranda, Kirstie Craig’s daughter. She had ridden most of the journey, and now was full of excited interest over the approach to her new home. Following close behind came the yoke of long-horned, mild-eyed steers,—Bright, a light sorrel, and Star, a curious red-and-black brindle with a radiating splash of white in the middle of his forehead. These, lurching heavily on the yoke, were hauling a rude “drag,” on which was lashed the meagre pile of Kirstie’s belongings and supplies. Close at Star’s heaving flank walked a lank and tow-haired boy from the Settlement, his long ox-goad in hand, and an expression of resigned dissatisfaction on his grey-eyed, ruddy young face. Liking, and thoroughly believing in, Kirstie Craig, he had impulsively yielded to her request, and let himself be hired to assist her flight into exile. But in so doing he had gone roughly counter to public opinion; for the Settlement, though stupidly inhospitable to Kirstie Craig, none the less resented her decision to leave it. Her scheme of occupying the deserted cabin, farming the deserted clearing, and living altogether aloof from her unloved and unloving fellows, was scouted on every hand as the freak of a madwoman; and Young Dave, just coming to the age when public opinion begins to seem important, felt uneasy at being identified with a matter of public ridicule. He saw himself already, in imagination, a theme for the fine wit of the Settlement. Nevertheless, he was glad to be helping Kirstie, for he was sound and fearless at heart, and he counted her a true friend if she did seem to him a bit queer. He was faithful, but disapproving. It was Old Dave alone, his father, who backed the woman’s venture without criticism or demur. He had known Kirstie from small girlhood, and known her for a brave, loyal, silent, strongly-enduring soul; and in his eyes she did well to leave the Settlement, where a shallow spite, sharpened by her proud reticence and supplied with arrows of injury by her misfortunes, made life an undesisting and immitigable hurt to her.

As she emerged from the twilight and came out upon the sunny bleakness of the clearing, the unspeakable loneliness of it struck a sudden pallor into her grave dark face. For a moment, even the humanity that was hostile to her seemed less cruel than this voiceless solitude. Then her resolution came back. The noble but somewhat immobile lines of her large features relaxed into a half smile at her own weakness. She took possession, as it were, by a sweeping gesture of her head; then silently gave her hand in greeting to Old Dave, who had ranged up beside her and swung the dancing Miranda to his shoulder. Nothing was said for several moments, as the party moved slowly up the slope; for they were folk of few words, these people, not praters like so many of their fellows in the Settlement.

At last the pink frock began to wriggle on the lumberman’s

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