You are here

قراءة كتاب The Irish Penny Journal, Vol. 1 No. 3, July 18, 1840

تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

‏اللغة: English
The Irish Penny Journal, Vol. 1 No. 3, July 18, 1840

The Irish Penny Journal, Vol. 1 No. 3, July 18, 1840

تقييمك:
0
No votes yet
المؤلف:
دار النشر: Project Gutenberg
الصفحة رقم: 2

edifices, would extend beyond the space prescribed by the limits of our little Journal for a single paper; yet, as some description will be expected of us, we shall briefly state a few particulars.

The round tower—the more ancient remain upon the Rock—is fifty-six feet in circumference and ninety feet in height; it contains five stories, has four apertures at top, and has its doorway twelve feet from the ground.

Cormac’s Chapel consists of a nave and choir, but has neither transepts nor lateral aisles. It is richly decorated in the Norman style of the time, both exteriorly and interiorly; and the entire length of the building is fifty-three feet. There are crypts between the arches of the choir and nave and the stone roof; and there is a square tower on each side of the building, at the junction of the nave and choir. Taken as a whole, there is no specimen of its kind in the British empire so perfect or curious.

The cathedral, as already stated, consists of a choir, nave, and transepts, with a square tower in the centre. The greatest length, from east to west, is about two hundred and ten feet, and the breadth in the transepts is about a hundred and seventy feet. There are no side aisles, and the windows are of the lancet form, usual in the twelfth and thirteenth centuries. A century has not yet elapsed since this magnificent pile was doomed to destruction, and that by one who should have been its most zealous preserver. Archbishop Price, who succeeded to this see in 1744, and died in 1752, not being able, as tradition states, to drive in his carriage up the steep ascent to the church door, procured an act of parliament to remove the cathedral from the Rock of Cashel into the town, on which the roof was taken off for the value of the lead, and the venerable pile was abandoned to ruin!

Of the remarkable historical events connected with these ruins, our space will only permit us to state, that in 1495 the cathedral was burned by Gerald, the eighth Earl of Kildare; for which act, being accused before the king, his excuse was, that it was true, but that he would not have done so but that he had supposed the archbishop was in it; and his candour was rewarded with the chief governorship of Ireland!

In 1647, the cathedral—being filled with a vast number of persons, many of whom were ecclesiastics, who had fled thither for refuge and protection, a strong garrison having been placed in it by Lord Taafe—was taken by storm by the Lord Inchiquin, with a considerable slaughter of the garrison and citizens, including twenty ecclesiastics. It was again taken by Cromwell in the year 1649.

In conclusion, we shall only remark, that the venerable group of ruins of which we have attempted this slight sketch, considered as an object of interest to pleasure tourists, and those of our own country in particular, have not as yet been sufficiently appreciated; and that, as Sir Walter Scott truly remarked, though the scenery of our lakes and mountains may be rivalled in many parts of the sister islands, there is nothing of their class, viewed as a whole, comparable in interest with the ruins on the Rock of Cashel.

P.

Poetical Prophecy of Bishop Berkeley.

—To our illustrious countryman. Bishop Berkeley, may be with justice applied what he himself says of his favourite, Plato, that “he has joined with an imagination the most splendid and magnificent, an intellect fully as deep and clear.” A morsel of poetry from such a writer ought to be preserved as a literary curiosity, and as a proof of the great variety of his talents; but when we consider that the following was written almost in a prophetic spirit, more than a century ago, and consequently long before the events to which he seems to allude could well have been anticipated, it has an additional claim upon our notice.

“AMERICA, 1730.

There shall be sung another golden age,
The rise of empires and of arts,
The good and great inspiring epic rage,
The wisest heads and noblest hearts.
Not such as Europe breeds in her decay;
Such as she bred when fresh and young,
When heavenly flame did animate her clay,
By future poets shall be sung.
Westward the course of empire bends its way
The four first acts already past,
A fifth shall close the drama and the day;
Time’s noblest offspring is the last.”

THE SCENERY AND ANTIQUITIES OF IRELAND ILLUSTRATED,

BY BARTLETT AND WILLIS.

“Know thyself,” was the wise advice of the ancient Greek philosopher; and it is certainly desirable that we should know ourselves, and take every pains in our power to acquire self-knowledge. But the task is by no means an easy one; and hence the poet Burns well exclaims,

“Oh, wad some power the giftie gi’e us,
To see oursells as others see us;
It wad frae monie a blunder free us,
And foolish notion.
What airs in dress and gait wad lea’ us,
And e’en devotion!”

Determined, however, as we for own part always are, to acquire a knowledge of ourselves, we felt no small gratification at the opportunity which, we presumed, would be amply afforded us by the work of Messrs Bartlett and Willis, the first an English artist, and the second an American litterateur, who have left their homes, in a most commendable spirit of philanthropy, to depict our scenery and antiquities, and to tell us all that it behoves us to know about them and ourselves. We accordingly lost not a moment in possessing ourselves of the precious treasure that would, as we hoped, “the giftie gi’e us, to see oursells as others see us;” and verily we must acknowledge that our wonderment during its perusal has been excessive, and that it has convinced us that we never knew ourselves before, or ever saw any thing about us with proper eyes. Henceforward we shall be cautious how we trust to the evidence of our senses for any thing we may see, for it is pretty plain that hitherto they have been of no manner of use to us. They have deceived and bamboozled us our whole lives long; and from the present moment we will trust to none save those of Messrs Bartlett and Willis—at least we will never trust to our own.

The very vignette on the title-page gave us some startling notification of the fearful discovery that awaited us. We had flattered ourselves that we were quite familiar with all the remarkable features of Irish scenery, and should not fail at a glance to identify any delineation of them, inasmuch as there is not a river or lake in Ireland of any extent that we have not sailed on, not a mountain that we have not climbed, not a headland or island on our coast that we have not visited. But here was a subject of a striking and most remarkable character that appeared quite new to us, nor should we ever have been able to guess at it, if a friend to whom we applied for information had not assured us, to our utter astonishment, that he was informed it was nothing less than our old acquaintance the Giants’ Causeway! The wonder at our blindness, however, in some degree diminished when we perceived—if we

Pages