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قراءة كتاب Patchwork: A Story of 'The Plain People'

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Patchwork: A Story of 'The Plain People'

Patchwork: A Story of 'The Plain People'

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دار النشر: Project Gutenberg
الصفحة رقم: 2

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XXIII. Diary—Plain for a Night 251 XXIV. Diary—Declarations 256 XXV. Diary—"The Link Must Break and the Lamp Must Die" 261 XXVI. "Hame's Best" 268 XXVII. Trailing Arbutus 271 XXVIII. Mother Bab and Her Son 284 XXIX. Preparations 291 XXX. The Feast of Roses 295 XXXI. Blindness 303 XXXII. Off to the Navy 310 XXXIII. The One Chance 315 XXXIV. Busy Days 319 XXXV. David's Share 327 XXXVI. David's Return 331 XXXVII. "A Love That Life Could Never Tire" 335

Patchwork


CHAPTER I

CALICO PATCHWORK

The gorgeous sunshine of a perfect June morning invited to the great outdoors. Exquisite perfume from myriad blossoms tempted lovers of nature to get away from cramped, man-made buildings, out under the blue roof of heaven, and revel in the lavish splendor of the day.

This call of the Junetide came loudly and insistently to a little girl as she sat in the sitting-room of a prosperous farmhouse in Lancaster County, Pennsylvania, and sewed gaily-colored pieces of red and green calico into patchwork.

"Ach, my!" she sighed, with all the dreariness which a ten-year-old is capable of feeling, "why must I patch when it's so nice out? I just ain't goin' to sew no more to-day!"

She rose, folded her work and laid it in her plaited rush sewing-basket. Then she stood for a moment, irresolute, and listened to the sounds issuing from the next room. She could hear her Aunt Maria bustle about the big kitchen.

"Ach, I ain't afraid!"

The child opened the door and entered the kitchen, where the odor of boiling strawberry preserves proclaimed the cause of the aunt's activity.

Maria Metz was, at fifty, robust and comely, with black hair very slightly streaked with gray, cheeks that retained traces of the rosy coloring of her girlhood, and flashing black eyes meeting squarely the looks of all with whom she came in contact. She was a member of the Church of the Brethren and wore the quaint garb adopted by the women of that sect. Her dress of black calico was perfectly plain. The tight waist was half concealed by a long, pointed cape which fell over her shoulders and touched the waistline back and front, where a full apron of blue and white checked gingham was tied securely. Her dark hair was parted and smoothly drawn under a cap of white lawn. She was a picturesque figure but totally unconscious of it, for the section of Pennsylvania in which she lived has been for generations the home of a multitude of women similarly garbed—members of the plain sects, as the Mennonites, Amish, Brethren in Christ, and Church of the Brethren, are commonly called in the communities in which they flourish.

As the child appeared in the doorway her aunt turned.

"So," the woman said pleasantly, "you worked vonderful quick to-day once, Phœbe. Why, you got your patches done soon—did you make little stitches like I told you?"

"I ain't got 'em done!" The child stood erect, a defiant little figure, her blue eyes grown dark with the moment's tenseness. "I ain't goin' to sew no more when it's so nice out! I want to be out in the yard, that's what I want. I just hate this here patchin' to-day, that's what I do!"

Maria Metz carefully wiped the strawberry juice from her fingers, then she stood before the little girl like a veritable tower of amazement and strength.

"Phœbe," she said after a moment's struggle to control her wrath, "you ain't big enough nor old enough yet to tell me what you ain't goin' to do! How many patches did you make?"

"Three."

"And you know I said you shall make four every day still so you get the quilt done this summer yet and ready to quilt. You go and finish them."

"I don't want to." Phœbe shook her head stubbornly. "I want to play

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