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قراءة كتاب Patchwork: A Story of 'The Plain People'

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‏اللغة: English
Patchwork: A Story of 'The Plain People'

Patchwork: A Story of 'The Plain People'

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دار النشر: Project Gutenberg
الصفحة رقم: 6

every year when Old Aaron came into his own. Every Memorial Day he dressed in his venerated blue uniform and carried the flag down the dusty streets of Greenwald, out to the dustier road to a spot a mile from the heart of the town, where, on a sunny hilltop, some of his comrades rested in the Silent City.

Only the infirm and the ill of the town failed to run to look as the little procession passed down the street. There were boys in khaki, the town band playing its best, volunteer firemen clad in vivid red shirts, a low, hand-drawn wagon filled with flowers, an old cannon, also hand-drawn, whose shots over the graves of the dead veterans would thrill as they thrilled every May thirtieth—all received attention and admiration from the watchers of the procession. But the real honors of the day were accorded the "thin blue line of heroes," and Old Aaron was one of these. To Granny Hogendobler, who walked with the crowd of cheering children and adults and kept step on the sidewalk with the step of the marchers on the street, it was evident that the standard bearer was growing old. The steep climb near the cemetery entrance left him breathless and flushed and each year Granny thought, "It's getting too much for him to carry that flag." But each returning year she would have spurned as earnestly as he any suggestion that another one be chosen to carry that flag. And so every three hundred and sixty-fifth day the lean straight figure of Old Aaron marched directly under the fluttering folds of Old Glory and the soldier became a subject worthy of veneration, then with customary nonchalance the little town forgot him again or spoke of him as Old Aaron, a little lazy, a little shiftless, a little childish, and Granny Hogendobler became the more important figure of that household.

Granny was fifteen years younger than her husband and was undeniably rotund of hips and face, the former rotundity increased by her full skirts, the latter accentuated by her style of wearing her hair combed back into a tight knot near the top of her head and held in place by a huge black back-comb.

From this style of hair dressing it is evident that Granny was not a member of any plain sect. She was, as she said, "An Evangelical, one of the old kind yet. I can say Amen to the preacher's sermon and stand up in prayer-meeting and tell how the Lord has blessed me."

There were some who doubted the rich blessing of which Granny spoke. "I wouldn't think the Lord blessed me so much," whispered one, "if I had a man like Old Aaron, though I guess he's good enough to her. And that boy of theirs never comes home; he must have a funny streak in him too." "But think of this," one would answer, "how the Lord keeps her cheerful, kind and faithful through all her troubles."

Granny's was a wonderful garden. She and Old Aaron lived in a little gray cube of a house that had its front face set straight to the edge of Charlotte Street. However, the north side of the cube looked into a great green yard where tall spruce trees, overrun with trumpet vines and woodbine, shaded long beds of flowers that love semi-shady places. The rear of the house overlooked an old-fashioned garden enclosed with a white-washed picket fence. Always were there flowers at Granny's house. In the cold days of winter blooming masses of geraniums, primroses and gloxinias crowded against the little square panes of the windows and looked defiantly out at the snow; while all the old favorites grew in the garden, from the first March snowdrop to the late November chrysanthemum. In June, therefore, the garden was a "Lovesome spot" indeed.

"It vonders me now if Granny's home," thought Phœbe as she opened the wooden gate and entered the yard.

"Here I am," called Granny. "Back in the garden. I-to-goodness, Phœbe, did you come once! I just said yesterday to Aaron that I didn't see none of you folks for long, and here you come! You haven't seen the flowers for a while."

"Oh!" Phœbe breathed an ecstatic little word of delight. "Oh, your garden is just vonderful pretty!"

"Ain't," agreed Granny. "Aaron and me's been working pretty hard in it these weeks. There he is, out in the potato patch; see him?"

Phœbe stood on tiptoe and looked where Granny's finger pointed to the extreme end of the long vegetable garden, where the white head of Old Aaron was bending over his hoeing.

"He's hoeing the potatoes," Granny explained. "He don't see you. But he'll soon be done and come in."

"What were you doin'?" asked the child.

"Weeding the flag."

"Weedin' the flag—what do you mean?" Phœbe's eyes lighted with eagerness. "I guess you mean mendin' the flag, Granny." She looked toward the porch as if in search of Old Glory.

"I said weeding the flag," the woman insisted. "It's an idea of Aaron's and I guess I'll tell you about it, seeing your eyes are open so wide. See the poppies, that long stretch of them in the middle of the garden?"

"Um-uh," nodded Phœbe.

"Well, that patch at the back is all red poppies, the buds just coming on them nice and big. Then right in front of them is another patch of white poppies; the buds are thick on them, too. And right in front of them—you see what's there!"

"Larkspur, blue larkspur!" cried Phœbe. "Oh, I see—it's red, white and blue! You'll have it all summer in your garden!"

"Yes. When it blooms it'll be a grand sight. I said to Aaron that we'll have all the children of Greenwald in looking at his flag and he said he hopes so, for they couldn't look at anything better than the colors of Old Glory. Aaron's crazy about the flag."

"'Cause he fought for it, mebbe."

"Yes, I guess. His father died for it at Gettysburg, the same place where Aaron lost his leg. . . . The only thing is, the larkspur's getting ahead of the poppies—seems like the larkspur couldn't wait"—her voice continued low—"I always love to see the larkspur come."

"I too," said the child. "I like to pull out the little slippers from the middle of the flowers and fit 'em into each other and make circles with 'em. I made a lot last summer and pressed 'em in a book, but Aunt Maria made me stop."

"That's just what Nason used to do. I have some pressed in the big Bible yet that he made when he was a little boy." She spoke half-absently, as though momentarily forgetful of the child's presence.

"Who's Nason?" asked Phœbe.

Granny started. "I-to-goodness, Phœbe, I forgot! You don't know him, never heard of him, I guess. He's our boy. We had a little girl, too, but she died."

"Did the boy die too, Granny?"

"No, ach no! You wouldn't understand. He's living in the city. He writes to me often but he don't come home. He and his pop fell out about the flag once when Nason was young and foolish and they're both too stubborn to forget it."

"But he'll come back some day and live with you, of course, won't he?" Phœbe comforted her.

"Yes—some day they'll see things different. But now don't you bother that head of yourn with such things. You forget all about Nason. Come now, sit on the bench a little under the arbor."

"Just a little. I must go to the store yet."

"You have lots to do."

"Yes. And I almost forgot what I come for. Aunt Maria wants you should come out to our place to-morrow early and help with the strawberries if you can."

"I'll come. I like to come to your place. Your Aunt Maria is so straight out, nothing false about her. I like her. But now I bet you're thinking of how many berries you can eat," she added as she noted the child's abstracted look.

"No—I was thinkin'—I was just thinkin' what a funny name Nason is, like you tried to say Nathan and got your tongue twisted."

"It's a real name, but you must forget

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