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قراءة كتاب The Essays of Arthur Schopenhauer; On Human Nature

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The Essays of Arthur Schopenhauer; On Human Nature

The Essays of Arthur Schopenhauer; On Human Nature

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دار النشر: Project Gutenberg
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order to wound others without showing himself. But what is the use of it? The trained eye recognises him in spite of it all. He betrays himself, if by nothing else, by the way in which he timidly avoids and flies from the object of his envy, who stands the more completely alone, the more brilliant he is; and this is the reason why pretty girls have no friends of their own sex. He betrays himself, too, by the causeless hatred which he shows—a hatred which finds vent in a violent explosion at any circumstance however trivial, though it is often only the product of his imagination. How many such men there are in the world may be recognised by the universal praise of modesty, that is, of a virtue invented on behalf of dull and commonplace people. Nevertheless, it is a virtue which, by exhibiting the necessity for dealing considerately with the wretched plight of these people, is just what calls attention to it.

For our self-consciousness and our pride there can be nothing more flattering than the sight of envy lurking in its retreat and plotting its schemes; but never let a man forget that where there is envy there is hatred, and let him be careful not to make a false friend out of any envious person. Therefore it is important to our safety to lay envy bare; and a man should study to discover its tricks, as it is everywhere to be found and always goes about incognito; or as I have said, like a venomous toad it lurks in dark corners. It deserves neither quarter nor sympathy; but as we can never reconcile it let our rule of conduct be to scorn it with a good heart, and as our happiness and glory is torture to it we may rejoice in its sufferings:

  Den Neid wirst nimmer du versöhnen;
  So magst du ihn getrost verhöhnen.
  Dein Glück, dein Ruhm ist ihm ein Leiden:
  Magst drum an seiner Quaal dich weiden
.

We have been taking a look at the depravity of man, and it is a sight which may well fill us with horror. But now we must cast our eyes on the misery of his existence; and when we have done so, and are horrified by that too, we must look back again at his depravity. We shall then find that they hold the balance to each other. We shall perceive the eternal justice of things; for we shall recognise that the world is itself the Last Judgment on it, and we shall begin to understand why it is that everything that lives must pay the penalty of its existence, first in living and then in dying. Thus the evil of the penalty accords with the evil of the sin—malum poenae with malum culpae. From the same point of view we lose our indignation at that intellectual incapacity of the great majority of mankind which in life so often disgusts us. In this Sansara, as the Buddhists call it, human misery, human depravity and human folly correspond with one another perfectly, and they are of like magnitude. But if, on some special inducement, we direct our gaze to one of them, and survey it in particular, it seems to exceed the other two. This, however, is an illusion, and merely the effect of their colossal range.

All things proclaim this Sansara; more than all else, the world of mankind; in which, from a moral point of view, villainy and baseness, and from an intellectual point of view, incapacity and stupidity, prevail to a horrifying extent. Nevertheless, there appear in it, although very spasmodically, and always as a fresh surprise, manifestations of honesty, of goodness, nay, even of nobility; and also of great intelligence, of the thinking mind of genius. They never quite vanish, but like single points of light gleam upon us out of the great dark mass. We must accept them as a pledge that this Sansara contains a good and redeeming principle, which is capable of breaking through and of filling and freeing the whole of it.

* * * * *

The readers of my Ethics know that with me the ultimate foundation of morality is the truth which in the Vedas and the Vedanta receives its expression in the established, mystical formula, Tat twam asi (This is thyself), which is spoken with reference to every living thing, be it man or beast, and is called the Mahavakya, the great word.

Actions which proceed in accordance with this principle, such as those of the philanthropist, may indeed be regarded as the beginning of mysticism. Every benefit rendered with a pure intention proclaims that the man who exercises it acts in direct conflict with the world of appearance; for he recognises himself as identical with another individual, who exists in complete separation from him. Accordingly, all disinterested kindness is inexplicable; it is a mystery; and hence in order to explain it a man has to resort to all sorts of fictions. When Kant had demolished all other arguments for theism, he admitted one only, that it gave the best interpretation and solution of such mysterious actions, and of all others like them. He therefore allowed it to stand as a presumption unsusceptible indeed of theoretical proof, but valid from a practical point of view. I may, however, express my doubts whether he was quite serious about it. For to make morality rest on theism is really to reduce morality to egoism; although the English, it is true, as also the lowest classes of society with us, do not perceive the possibility of any other foundation for it.

The above-mentioned recognition of a man's own true being in another individual objectively presented to him, is exhibited in a particularly beautiful and clear way in the cases in which a man, already destined to death beyond any hope of rescue, gives himself up to the welfare of others with great solicitude and zeal, and tries to save them. Of this kind is the well-known story of a servant who was bitten in a courtyard at night by a mad dog. In the belief that she was beyond hope, she seized the dog and dragged it into a stable, which she then locked, so that no one else might be bitten. Then again there is the incident in Naples, which Tischbein has immortalised in one of his aquarelles. A son, fleeing from the lava which is rapidly streaming toward the sea, is carrying his aged father on his back. When there is only a narrow strip of land left between the devouring elements, the father bids the son put him down, so that the son may save himself by flight, as otherwise both will be lost. The son obeys, and as he goes casts a glance of farewell on his father. This is the moment depicted. The historical circumstance which Scott represents in his masterly way in The Heart of Midlothian, chap, ii., is of a precisely similar kind; where, of two delinquents condemned to death, the one who by his awkwardness caused the capture of the other happily sets him free in the chapel by overpowering the guard after the execution-sermon, without at the same time making any attempt on his own behalf. Nay, in the same category must also be placed the scene which is represented in a common engraving, which may perhaps be objectionable to western readers—I mean the one in which a soldier, kneeling to be shot, is trying by waving a cloth to frighten away his dog who wants to come to him.

In all these cases we see an individual in the face of his own immediate and certain destruction no longer thinking of saving himself, so that he may direct the whole of his efforts to saving some one else. How could there be a clearer expression of the consciousness that what is being destroyed is only a phenomenon, and that the destruction itself is only a phenomenon; that, on the other hand, the real being of the man who meets his death is untouched by that event, and lives on in the other man, in whom even now, as his action betrays, he so clearly perceives it to exist? For if this were not so, and it was his real being which was about to be annihilated, how could that being spend its last efforts in showing such an ardent

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