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قراءة كتاب Children's Rhymes, Children's Games, Children's Songs, Children's Stories A Book for Bairns and Big Folk

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‏اللغة: English
Children's Rhymes, Children's Games, Children's Songs, Children's Stories
A Book for Bairns and Big Folk

Children's Rhymes, Children's Games, Children's Songs, Children's Stories A Book for Bairns and Big Folk

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دار النشر: Project Gutenberg
الصفحة رقم: 5

a feeble lamb into the house, and Mary adopted it as her especial pet. It became so fond of her that it would follow her everywhere. One day it followed her to the village school, and, not knowing well what to do with it there, the girl put it under her desk and covered it over with her shawl. There it stayed until Mary was called up with her class to the teacher's desk to say her lesson; but then the lamb went quietly after her, and the whole school burst out laughing. Soon after, John Rollstone, a fellow-student with Mary, wrote a little rhyme commemorating the incident, and the verses went rapidly from lip to lip, giving the greatest delight to all. The lamb grew up to be a sheep, and lived many years; and when it died Mary grieved so much that her mother took some of its wool, which was "white as snow," and knitted for her a pair of stockings to wear in remembrance of her pet. Some years after, Mrs. Sarah Hall composed additional verses to those of John Rollstone, making the complete rhyme as we know it.[A] Mary took such good care of the stockings made from her lamb's fleece that when she was a grown-up woman she was able to give one of them to a church bazaar in Boston. As soon as it became known that the stocking was from the fleece of "Mary's little lamb," every one wanted a piece of it. So the stocking was unravelled, and the yarn cut into short pieces. Each piece was fastened to a card on which Mary wrote her full name, and those cards sold so well that they brought the handsome sum of £28 to the Old South Church in Boston.

[A] The following are the added lines referred to:—

And so the teacher turned him out, But still he lingered near, And waited patiently about Till Mary did appear.

And then he ran to her, and laid His head upon her arm. As if he said, "I'm not afraid, You'll shield me from all harm."

"What makes the lamb love Mary so?" The eager children cry. "Why, Mary loves the lamb, you know," The teacher did reply.

Humpty-Dumpty sat on a wall, Humpty-Dumpty had a great fall; Not all the King's horses, nor all the King's men, Could set Humpty-Dumpty up again.

Attempts have been made to show how that was suggested by the fall of a bold bad baron who lived in the days of King John; but every child more than ten years old knows that the lines present a conundrum, the answer to which is—an egg. And yet, were it no conundrum, but only a nonsense rhyme, its fascination for the budding intellect would be no less. It is enough when, with the jingle of rhyme, the imagination, is tickled, as in—


Hey diddle dumplin' my son John, Went to his bed with his trowsers on; One shoe off and the other shoe on, Hey diddle dumplin', my son John;

or—

Cripple Dick upon a stick, And Sandy on a soo, Ride away to Galloway To buy a pund o' woo';

or yet again in—

Sing a sang o' saxpence, A baggie fu' o' rye, Four-and-twenty blackbirds, Bakit in a pie. When the pie was opened The birds began to sing; And wasna that a dainty dish To set before the King?

The King was in his counting-house Counting out his money, The Queen was in the parlour Eating bread and honey, The maid was in the garden Hanging out the clothes, When by came a blackbird And snapped aff her nose.

For such supreme nonsense no historical origin need be sought, surely. Yet part of the latter has been at least applied to a historical personage in a way that is worth recalling. Dr. H. J. Pye, who was created Poet Laureate in succession to Thomas Warton, in 1790, was, as a poet, regularly made fun of. In his New Year Odes there were perpetual references to the coming spring: and, in the dearth of more important topics, each tree and field-flower were described: and the lark, and every other bird that could be brought into rhyme, were sure to appear; and his poetical and patriotic olla podrida ultimately provoked the adaptation:—

When the Pye was opened, The birds began to sing, And was not that a dainty dish, To set before a king?

But to take the rhymes only by themselves. Action rhymes, by reason of their practical drollery, never fail to amuse. And among the very earliest practised is the following. The nurse, with the child on her knee, takes a little foot in either hand, and, making them go merrily up and down, she sings:—

This is Willie Walker, and that's Tam Sim, He ca'd him to a feast, and he ca'd him; He sticket him on the spit, and he sticket him; And he owre him, and he owre him, And he owre him, and he owre him, etc.

Then, to keep up the diversion, may follow in the same manner:—

Twa little doggies gaed to the mill, This way and that way, and this way and that way; They took a lick out o' this wife's poke, And a lick they took out o' that wife's poke, And a loup in the lade, and a dip in the dam, And hame they cam' wallopin', wallopin', wallopin', etc.

Or:—

Feetikin, feetikin, When will ye gang? When the nights turn short, And the days turn lang, I'll toddle and gang, toddle and gang.

Should more active entertainment be demanded, the

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